More Letters from the American Farmer

by J. Hector St. John de Crèvecoeur

1995 · University of Georgia Press

This is a critical edition of the essays that J. Hector St. John de Crèvecoeur (1735-1813) wrote in English but did not include in Letters from an American Farmer. First published in 1782, Letters from an American Farmer is an eighteenth-century cultural masterpiece. Written in English by a French-born immigrant, it is a collection of semiautobiographical writings in epistolary form that describe daily life along the northern frontier during the days leading up to the American Revolution. Conveying the attitudes, beliefs, aspirations, and conflicting loyalties of common settlers, Letters has helped subsequent generations to grasp the ethos of a nascent America. More than a century after Crevecoeur's death, three bound manuscript volumes surfaced that included not only the original handwritten texts of most of Letters but also the twenty-two similar writings that now make up More Letters from the American Farmer. Those manuscript volumes are now housed in the Library of Congress. Five of the pieces in More Letters are previously unpublished; the others were first published in 1925-26 but were so inconsistently and arbitrarily edited as to misrepresent the author. This edition has been awarded the emblem of the Modern Language Association's Committee on Scholarly Editions. It is based on an examination of all available relevant textual sources and includes extensive textual and historical contextual information. Rather than modernizing Crevecoeur's capitalization, punctuation, and spelling, Dennis D. Moore has preserved the original texts as closely as possible. Thus, More Letters marks the first appearance of these twenty-two writings as Crevecoeur composed them. In his general introduction, Moore discusses the various personae through which Crevecoeur speaks in these essays and notes the stylistic and topical similarities and variations between these writings and those collected in Letters. Pointing to Crevecoeur's evident influences and interests, Moore discusses recurrent themes and images related to medicine, law, religion, classicism, enlightenment philosophy, nationalism, agrarianism, aggression and war, and the cults of sensibility and domesticity. Revising and expanding what we thought we knew about Crevecoeur and his lifelong absorption in America and Americanness, More Letters also makes a significant contribution to the study of early American culture.

Gold-Mining Boomtown

by Roberta Key Haldane

2013 · University of Oklahoma Press

The town of White Oaks, New Mexico Territory, was born in 1879 when prospectors discovered gold at nearby Baxter Mountain. In Gold-Mining Boomtown, Roberta Key Haldane offers an intimate portrait of the southeastern New Mexico community by profiling more than forty families and individuals who made their homes there during its heyday. Today, fewer than a hundred people live in White Oaks. Its frontier incarnation, located a scant twenty-eight miles from the notorious Lincoln, is remembered largely because of its association with famous westerners. Billy the Kid and his gang were familiar visitors to the town. When a popular deputy was gunned down in 1880, the citizens resolved to rid their community of outlaws. Pat Garrett, running for sheriff of Lincoln County, was soon campaigning in White Oaks. But there was more to the town than gold mining and frontier violence. In addition to outlaws, lawmen, and miners, Haldane introduces readers to ranchers, doctors, saloonkeepers, and stagecoach owners. José Aguayo, a lawyer from an old Spanish family, defended Billy the Kid, survived the Lincoln County War, and moved to the White Oaks vicinity in 1890, where his family became famous for the goat cheese they sold to the town’s elite. Readers also meet a New England sea captain and his wife (a Samoan princess, no less), a black entrepreneur, Chinese miners, the “Cattle Queen of New Mexico,” and an undertaker with an international criminal past. The White Oaks that Haldane uncovers—and depicts with lively prose and more than 250 photographs—is a microcosm of the Old West in its diversity and evolution from mining camp to thriving burg to the near–ghost town it is today. Anyone interested in the history of the Southwest will enjoy this richly detailed account.

Curating the American Past

by Pete Daniel

2022 · University of Arkansas Press

“As is well known, Pete is an outstanding storyteller, and this book is no exception." —Claire Strom, Journal of Southern History In addition to chronicling significant exhibit work at the Smithsonian National Museum of American History, Curating the American Past, captures the excitement inherent in researching and writing history and Pete Daniel’s efforts to prevent diluted celebratory stories from replacing the red meat of the American past. In Curating the American Past, Pete Daniel reveals how curators collect objects, plan exhibits, and bring alive the country’s complex and exciting history. In vivid detail, Daniel recounts the exhilaration of innovative research, the joys of collaboration, and the rewards of mentoring new generations of historians. In a career distinguished by prize-winning publications and pathbreaking exhibitions, Daniel also confronted the challenges of serving as a public historian tasked with protecting a definitive American museum from the erosion of scholarly standards. Curating the American Past offers a wealth of museum wisdom, illuminating the crucial role that dedicated historians and curators serve within our most important repositories of cultural memory.