Books by "A. Alan Isaacs"
4 books found
Re-experience historical fact as it is woven into the fictional fabric of the Hawkins family with Xander Hawkins, an extremely wealthy man from Tennessee, who engages a New York lawyer to create a Trust Fund to provide for the continuation of his dream: the encouragement, education, and care of orphans. A. Alan Isaacs invites readers to sit in Xander’s study alongside the lawyer as he listens to stories about how the Hawkins family discovered a love for orphans and an unimaginable treasure! Over several days, the lawyer learns how more than 200 years of ‘Journaling’ from Xander’s ancestors continues to influence his approach to life. Along the way, readers can snap pictures of QR Codes embedded throughout Rooster’s Gold to effortlessly connect the written word to an internet-based resource. Readers can also fact-check Xander’s stories as his relatives encounter several of history’s heroes, such as Davy Crockett, Theodore Roosevelt and his Rough Riders, and many more! After returning from the Spanish-American war, Rooster’s son learns that orphaned and abandoned children are being put on trains in New York City and ‘whistle-stopped’ across the United States to live and work on farms to produce crops for the country’s exploding population. Witness how the stories of these Orphan Train Children profoundly impact the Hawkins’ family—and the New York lawyer.
Situated at the intersection of library and information science (LIS), Wikipedia studies, and fandom studies, this book is a digital (auto)ethnography that documents the information behavior of Wikipedia “fan editors”—that is, individuals who edit articles about pop culture media. Given Wikipedia’s prominence in LIS and fan studies scholarship, both as one of the world’s most heavily used reference sources and as an important archive for fan communities, fan editors are a crucial component of this ecosystem as some of Wikipedia’s most active contributors. Through a combination of fieldwork observations, insight from key informants, and the author’s own experiences as a Wikipedia editor, this monograph provides a rich articulation of fan editor information behavior and offers a significant contribution to scholarship in a number of fields. Scholars of library and information science, media studies, fandom studies, and popular culture will find this book of particular interest.
A deeply researched and vividly written study, this book depicts religion in place and in movement, dwelling and crossing. Drawing on insights from the natural and social sciences, Tweed's work is grounded in the gritty particulars of distinctive religious practices, even as it moves toward ideas about cross-cultural patterns. It offers a responsible way to think broadly about religion, a topic that is crucial for understanding the contemporary world.
This book is about intersections among science, philosophy, and literature. It bridges the gap between the traditional “cultures” of science and the humanities by constituting an area of interaction that some have called a “third culture.” By asking questions about three disciplines rather than about just two, as is customary in research, this inquiry breaks new ground and resists easy categorization. It seeks to answer the following questions: What impact has the remapping of reality in scientific terms since the Copernican Revolution through thermodynamics, relativity theory, and quantum mechanics had on the way writers and thinkers conceptualized the place of human culture within the total economy of existence? What influence, on the other hand, have writers and philosophers had on the doing of science and on scientific paradigms of the world? Thirdly, where does humankind fit into the total picture with its uniquely moral nature? In other words, rather than privileging one discipline over another, this study seeks to uncover a common ground for science, ethics, and literary creativity. Throughout this inquiry certain nodal points emerge to bond the argument cogently together and create new meaning. These anchor points are the notion of movement inherent in all forms of existence, the changing concepts of evil in the altered spaces of reality, and the creative impulse critical to the literary work of art as well as to the expanding universe. This ambitious undertaking is unified through its use of phenomena typical of chaos and complexity theory as so many leitmotifs. While they first emerged to explain natural phenomena at the quantum and cosmic levels, chaos and complexity are equally apt for explaining moral and aesthetic events. Hence, the title “Remapping Reality” extends to the reconfigurations of the three main spheres of human interaction: the physical, the ethical, and the aesthetic or creative.