10 books found
1908. From the Introduction: In these lectures I propose to consider the four principal tragedies of Shakespeare from a single point of view. Nothing will be said of Shakespeare's place in the history of either English literature or of the drama in general. No attempt will be made to compare him with other writers. I shall leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, interrelations of his various works. Even what may be called, in a restricted sense, the poetry of the four tragedies-the beauties of style, diction, versification-I shall pass by in silence. Our one object will be what, again in a restricted sense, may be called dramatic appreciation; to increase our understanding and enjoyment of these works as dramas; to learn to apprehend the action and some of the personages of each with a somewhat greater truth and intensity, so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator.
by Andrew J. Reck, Harold N. Lee, Carl H. Hamburg, Louise Nisbet Roberts, James K. Feibleman, Edward G. Ballard
2012 · Springer Science & Business Media
Conscience and Its Critics is an eloquent and passionate examination of the opposition between Protestant conscience and Enlightenment reason in the seventeenth and eighteenth centuries. Seeking to illuminate what the United Nations Declaration of Rights means in its assertion that reason and conscience are the definitive qualities of human beings, Edward Andrew attempts to give determinate shape to the protean notion of conscience through historical analysis. The argument turns on the liberal Enlightenment's attempt to deconstruct conscience as an innate practical principle. The ontological basis for individualism in the seventeenth century, conscience was replaced in the eighteenth century by public opinion and conformity to social expectations. Focusing on the English tradition of political thought and moral psychology and drawing on a wide range of writers, Andrew reveals a strongly conservative dimension to the Enlightenment in opposing the egalitarian and antinomian strain in Protestant conscience. He then traces the unresolved relationship between reason and conscience through to the modern conception of the liberty of conscience, and shows how conscience served to contest social inequality and the natural laws of capitalist accumulation.
Real-life, action-packed, personal stories of valor from the history of the RAF's maritime arm during World War II. It took thirty minutes for one Coastal Command crew to sink two U-boats. The crew of Flying Officer Kenneth "Kayo" Moore in their 224 Squadron Liberator carried out this remarkable achievement on the evening of 7/8 June 1944. While patrolling the western end of the English Channel, Moore's crew first dispatched U-629, followed just under thirty minutes later by U-373. The story of this remarkable engagement is just one of many recounted by the author in Heroes of Coastal Command. Established in 1936, Coastal Command was the RAF's only maritime arm. Throughout the war, its crews worked tirelessly alongside the Royal Navy to keep Britain's vital sea lanes open. Together, they fought and won the Battle of the Atlantic, with RAF aircraft destroying 212 German U-Boats and sinking a significant tonnage of enemy warships and merchant vessels. Often working alone and unsupported, undertaking long patrols out over opens seas, Coastal Command bred a special kind of airman. Alongside individuals such as Kenneth Moore, there were Allan Trigg, Kenneth Campbell and John Cruickshank, all of whom were awarded the Victoria Cross; Norman Jackson-Smith, a Blenheim pilot who flew in the Battle of Britain; Jack Davenport, who flew his Hampden to Russia; John Watson, the sole survivor of a Short Sunderland which was lost during a rescue mission; and Ken Gatward, who flew a unique daylight mission over Paris to drop a Tricolore on the Arc de Triomphe. Theirs are just some of the many exciting stories revealed by the author.
by Andrew Cecil Bradley
2020 · Library of Alexandria