Books by "Arthur Wing Pinero"
12 books found
When, during the season of 1885, the exceptional success of "The Magistrate" had revived the fortunes of the Court Theatre and included that house once again among the popular places of entertainment, the future policy of Messrs. John Clayton and Arthur Cecil's management was practically determined. The essentially comic play, the farce of character and manners, was henceforth to compose the programme, and Mr. Pinero, who had suggested the new policy, and so happily inaugurated it, was naturally commissioned to provide the next play. "The Schoolmistress" was accordingly forthcoming in due time, and in the composition of this piece the author further developed his ideas as to the scope and meaning of modern farce, ideas which will be found briefly expounded in my introductory note to "The Cabinet Minister," published in the present series of Mr. Pinero's plays. "The Schoolmistress" has a very simple stage-history. It was produced at the old Court Theatre on March 27, 1886, and it immediately caught the laughter and applause of the town, the success being so decided that the play retained its place in the programme until January 22, 1887, the total number of performances in the interval having amounted to 290.
The Lux Video Theatre was the longest-running radio drama program ever broadcast. Starting in 1934 the show usually featured a one-hour adaptation of a motion picture screenplay, often with members of the original movie cast. The Lux Video Theatre, the television counterpart to the radio broadcast, aired from 1950 through 1957. This reference work is a show-by-show chronicle of the series, arranged by broadcast season, and showing network affiliation, host, announcer, director, musical director, and adaptation writer. Show listings include title, date first broadcast, cast, cast of the Lux commercials, plot synopsis, and film versions of the story. Also provided are the intermission guests--D.W. Griffith, Theda Bara, King Vidor, Sid Grauman among others--interviewed between acts of the broadcasts.
Representative Plays: Michael and his lost angel. The liars. Mrs. Dane's defence. The hypocrites
by Henry Arthur Jones
1924
Arthur Conan Doyle famously killed off Sherlock Holmes in 1893, in the short story 'The Final Problem', but was tempted to bring him back to life ten years later, in the thirteen tales that comprise The Return of Sherlock Holmes. While the outcry that supposedly followed Holmes' death was mostly apocryphal (the claim that readers wore black armbands in mourning has been frequently cited but never actually proved), by 1893 there was a substantial readership for Holmes' two series of adventures published in the Strand Magazine and two earlier novels. Doyle returned to Holmes in 1901-2 with The Hound of the Baskervilles, a novel set before the events of 'The Final Problem'; the commercial success of the serialisation in the Strand led Doyle to consider reviving the Holmes stories on a longer-term basis. Accordingly, in 1903 Doyle was contracted by the American magazine Collier's Weekly to supply six more Holmes stories; the agreement was extended to six more, with a final extension for a thirteenth story ('The Second Stain') that Doyle (mistakenly) believed to be the closing episode of the Holmes adventures. These thirteen tales make up this volume.
As a dense yellow fog swirls through London, Sherlock Holmes sits in a cocaine-induced haze at 221B Baker Street. His mood is only lifted by a visit from a beautiful but distressed young woman, whose father vanished ten years before. The ensuing investigation involves a wronged woman, stolen Indian treasure, a helpful dog, and a love affair.
The Silver King, The Case of Rebellious Susan, and The Liars, with a full introduction.
Celebrated for their books on Eugene O’Neill and enjoying access to a trove of previously sealed archival material, the Gelbs deliver their final volume on the stormy life and brilliant oeuvre of this Nobel Prize–winning American playwright. This is a tour through both a magical moment in American theater and the troubled life of a genius. Not a peep show or a celebrity gossip fest, this book is a brilliant investigation of the emotional knots that ensnared one of our most important playwrights. Handsome, charming when he wanted to be: O’Neill was the flame women were drawn to—all, that is, except his mother, who never let him forget he was unwanted. By Women Possessed follows O’Neill through his great successes, the failures he was able to shrug off, and the long eclipse, a twelve-year period in which, despite the Nobel, nothing he wrote was produced. But ahead lay his greatest achievements: The Iceman Cometh and Long Day’s Journey into Night. Both were ahead of their time and both received lukewarm receptions. It wasn’t until after his death that his widow, the keeper of the flame, began a fierce and successful campaign to restore his reputation. The result is that today, just over 125 years after his birth, O’Neill is a towering presence in the theater, his work—always in performance here and abroad—still electrifying audiences. Perhaps of equal importance, he is the acknowledged father of modern American theater, the man who paved the way for the likes of Arthur Miller, Tennessee Williams, Edward Albee, and a host of others. But, as Williams has said, at a cost: “O’Neill gave birth to the American theater and died for it.”