5 books found
Throughout the Bible, divine interaction with humanity is portrayed in almost embarrassingly human terms. God sees, hears, thinks, feels, runs, rides chariots, laughs, wields weapons, gives birth, and even repents. Many of these descriptions, taken at face value, seem to run afoul of classical thought about God's qualities of divine simplicity, transcendence, omniscience, omnipotence, omnipresence, and, especially, immutability. Traditionally, such representations have been seen as accommodations to human intellectual and moral limitations. They allowed God to be more comprehensible but did not actually describe any real part of His character, being, or interaction with humanity. References to God seeing or hearing, for example, are not deemed to represent real acts, as God is all-knowing. This view is largely based on the Aristotelian conception of metaphors: they are rhetorical devices and should not be taken literally. Since the 1970s, our understanding of the ways in which metaphors convey meaning has become much more sophisticated. We are better able to unlock the function of human acts of God within the Bible. This book aims to explore the biblical metaphor of divine sight in Genesis and how current conceptions of metaphorical function can enrich our reading of the text and its theology.
Stanley Hauerwas is arguably the most well-known figure in theological ethics of the last generation. Having published voluminously over the last 30 years, late in his career he has also published two volumes of essays discussing his corpus retrospectively, as well as a widely acclaimed memoir. The sheer volume of his work can be daunting to readers, and it is easy to get the impression that his retrospective volumes are restating positions developed earlier. Brian Brock delves into Hauerwas' formation as a theologian at Yale, his first book, Character and the Christian Life, and examines some of his early, and outspoken, criticisms of the guild of Christian ethics. This chapter is followed by a discussion of his memoir, Hannah's Child, and raises tricky questions about the role of autobiography in Christian ethics, as well as the troubling problem of race in the modern academy. Brock explores Hauerwas' work on disability, his criticisms of the discipline of medical ethics, and the role played by vulnerability in his work. The next chapter examines his views on just war and pacifism, here probing the sensitive issue of the role of gender in his work, and leading into a discussion on the nature of the church's peaceable politics, in which his supposed hyper-ecclesiocentricism is examined. Brock examines the role of virtue in Hauerwas' thought, and teases out why he hates to be called a virtue ethicist. A final chapter asks him to respond to the recently levelled criticism that scripture does no work in his theology, focusing especially on his under-appreciated commentary on the gospel of Matthew. The editor of this volume has managed to maneuver Hauerwas into positions where he has directly faced tricky questions that he normally does not discuss, such as the accusation that he is racist, too soft on Yoder, or misogynist.
The classical doctrine of God expresses that the God of the Bible is triune, a se, simple, immutable, impassible, eternal, and the sovereign Lord over his creation, which he created from himself. Modern streams of theology, within the evangelical circle, continue to promote a doctrine of God that sharply contrasts the classical view—the traditional view of God in Christian theism. Therefore, a critical response to such a theology is needed. This study is a comprehensive analysis and sustained critique of Thomas Jay Oord’s open/relational doctrine of God. Oord’s model substitutes process metaphysics for classical metaphysics, while attempting to retain foundational Christian doctrines that were established within a classical metaphysical framework.
Coherence, Consonance, and Conversation focuses on one of the most intriguing areas in contemporary theology today: the relationship between theology and natural science. Stratton rejects approaches which see the two disciplines as hostile or irrelevant to each other and argues that theology, philosophy, and natural science should be viewed as members of an ongoing dialogue which eventually results in a continuous world-view. Scholars and students of philosophy and theology will enjoy this interesting study.
This book explores the doctrinal, social, and spiritual significance of a central yet insufficiently understood tenet in Christian theology: creation “from nothing.” In this original study, Brian D. Robinette offers an extended meditation on the idea of creation out of nothing as it applies not only to the problem of God but also to questions of Christology, soteriology, and ecology. His basic argument is that creatio ex nihilo is not a speculative doctrine referring to cosmic origins but rather a foundational insight into the very nature of the God-world relation, one whose implications extend throughout the full spectrum of Christian imagination and practice. In this sense it serves a grammatical role: it gives orientation and scope to all Christian speech about the God-world relation. In part 1, Robinette takes up several objections to creatio ex nihilo and defends the doctrine as providing crucial insights into the gifted character of creation. Chapter 2 underscores the contemplative dimensions of a theological inquiry that proceeds by way of “unknowing.” Part 2 draws from the field of mimetic theory in order to explore the creative and destructive potential of human desire. Part 3 draws upon the Christian contemplative tradition to show how the “dark night of faith” is a spiritually patient and discerning way to engage the sense of divine absence that many experience in our post-religious, post-secular age. The final chapter highlights creatio ex nihilo as an expression of divine love—God’s love for finitude, for manifestation, for relationship. Throughout, Robinette engages with biblical, patristic, and contemporary theological and philosophical sources, including, among others, René Girard, Karl Rahner, and Sergius Bulgakov.