3 books found
The twentieth could easily be Utah’s most interesting, complex century, yet popular ideas of what is history seem mired in the nineteenth. One reason may be the lack of readily available writing on more recent Utah history. This collection of essays shifts historical focus forward to the twentieth, which began and ended with questions of Utah’s fit with the rest of the nation. In between was an extended period of getting acquainted in an uneasy but necessary marriage, which was complicated by the push of economic development and pull of traditional culture, demand for natural resources from a fragile and scenic environment, and questions of who governs and how, who gets a vote, and who controls what is done on and to the contested public lands. Outside trade and a tourist economy increasingly challenged and fed an insular society. Activists left and right declaimed constitutional liberties while Utah’s Native Americans become the last enfranchised in the nation. Proud contributions to national wars contrasted with denial of deep dependence on federal money; the skepticism of provocative writers, with boosters eager for growth; and reflexive patriotism somehow bonded to ingrained distrust of federal government.
Talent is not enough to make it in the music business, and the insights, tips, and techniques in Make Me A Star will give readers the edge they need to stand out to even the toughest judges--on television or anywhere in the music business.
From reviews of the first edition: "Richly illustrated . . . this handsome volume presents the rugged beauty and rowdy spirit of life on the frontier, as captured by two master painters." —Art Gallery International ". . . large color plates beautifully reproduce dashing, romantic scenes of frontier life created by two of the West's foremost portrayers." —American West "The many devotees of Remington and Russell and of Western art in general will want to add this handsome volume to their collection." —Arizona Highways "... the University of Texas Press, as one would expect, has produced a beautiful book ...." —Montana Since its original publication in 1982, Remington and Russell has become an essential introduction to the work of these artists, and this revision substantially enhances the book's strengths. Every painting in the Sid Richardson Collection has been rephotographed for this edition, including one Russell and five Remington paintings not included previously. Numerous black-and-white illustrations have also been added to give insight into the evolution of the paintings. Brian Dippie has considerably amplified his commentaries on each painting with new information. His revised introduction places Remington and Russell in the historical and cultural contexts of their time and draws intriguing comparisons between the two artists.