Books by "C. Clifton Black"
4 books found
A Graeco-Roman Rhetorical Reading of the Farewell Discourse
by John C. Stube
2006 · Bloomsbury Publishing
This title gives a thorough analysis of The Farewell Discourse (John 13-17), which is a unique and climactic portion of John's Gospel that serves as a hinge on which the entire Gospel narrative pivots from Jesus' public ministry to his Passion. Jesus is presented by the evangelist, with his words and actions, defining and modeling what his disciples are to be in their own soon-approaching ministry to the community of believers and to the world. He is shown giving persuasive words of comfort, encouragement, instruction, and motivation to his disciples as he prepares them to continue his mission after his departure.
In this concentrated, intelligible, and useful introductory volume Stanley Porter and Jason Robinson give a splendid overview of hermeneutical and interpretive thought. Neither an all-inclusive survey that moves too quickly over the surface of complex issues nor a specialized volume on a single, narrow topic, Porter and Robinson's Hermeneutics provides critical analysis of major movements and figures in hermeneutics and interpretive theory in the modern era -- from Schleiermacher and Heidegger to Thiselton and Culpepper -- showing especially how these interpreters and their movements have impacted biblical and theological study.
We often regard the author of the Gospel of Mark as an obscure figure about whom we know little. Many would be surprised to learn how much fuller a picture of Mark exists within widespread African tradition, tradition that holds that Mark himself was from North Africa, that he founded the church in Alexandria, that he was an eyewitness to the Last Supper and Pentecost, that he was related not only to Barnabas but to Peter as well and accompanied him on many of his travels. In this provocative reassessment of early church tradition, Thomas C. Oden begins with the palette of New Testament evidence and adds to it the range of colors from traditional African sources, including synaxaries (compilations of short biographies of saints to be read on feast days), archaeological sites, non-Western historical documents and ancient churches. The result is a fresh and illuminating portrait of Mark, one that is deeply rooted in African memory and seldom viewed appreciatively in the West.
Is It a Sermon? is an informative and daring call to blur the boundaries of the sermon genre, exploring the “shoreline” of homiletics, or the place where preaching laps up against other modes of discourse. In this book, Donyelle McCray explores how preaching merges with prayer, song, performance, and activism—the gospel dancing in and out of the forms we create for it. Consider the sermonic performance of Isaiah walking naked and barefoot for three years, the deaconess whose morning prayer rhythmically flows into sermon, or the gospel soloist who pauses in her song to tell a story or break into a sermonette. McCray is interested in the possibilities that emerge when we play at the shoreline, and she questions what modes of preaching get overlooked due to genre classifications. She seeks to discover what we might learn from these shoreline preachers about bearing witness, enacting Scripture, and listening to life. While these questions could be explored generally, McCray focuses on African American preachers who play at the boundaries of the sermon genre, with attention to how genre fluidity provides a means of drawing on ancestral wisdom. Key figures like Mahalia Jackson, Harriet Powers, Rosie Lee Tomkins, Thea Bowman, Howard Thurman, and Toni Morrison are examined as artists, activists, and proclaimers. She shines a new light on their work and points out how they reform preacherly identities and refuse traditional patterns of holding authority. Ultimately, in blurring the boundaries of sermon genre, this book offers readers strategies for embracing their voices more fully within and beyond the pulpit.