Books by "C. Stephen Evans"
4 books found
Encountering philosophy of religion for the first time, we are like explorers arriving on an uncharted coastline. This introduction from Anthony Thiselton is divided into three parts, first mapping the main approaches, then introducing us to the major ideas and thinkers, and finally giving concise explanations of all the words and phrases readers need to know.
Addresses the popular misconception that all Quakers, historically, have been absolutely against war and participation in civil government during a time of war. By examining the personal, theological and moral dilemmas and sacrifices of individual Friends and Quaker groups who, complied with the Revolutionary War effort, this book provides a new understanding of the diversity as well as complexity of the Quaker involvement in the American Revolution. Contents: Thomas Paine & the Ideology of the American Revolution; The Fighting Quaker-Nathanael Greene's Conflict of Conviction; Quakerism, Patriotism & Transformation in the Valley Forge Community, 1684-1778; and The Lamb's War Ethic of the Free Quakers.
The metaphor of the Church as a "body" has shaped Catholic thinking since the Second Vatican Council. Its influence on theological inquiries into Catholic nature and practice is well-known; less obvious is the way it has shaped a generation of Catholic imaginative writers. Cathedrals of Bone is the first full-length study of a cohort of Catholic authors whose art takes seriously the themes of the Council: from novelists such as Mary Gordon, Ron Hansen, Louise Erdrich, and J. F. Powers, to poets such as Annie Dillard, Mary Karr, Lucia Perillo, and Anne Carson, to the Pulitzer Prize-winning playwright John Patrick Shanley. Motivated by the inspirational yet thoroughly incarnational rhetoric of Vatican II, each of these writers encourages readers to think about the human body as a site-perhaps the most important site-of interaction between God and human beings. Although they represent the body in different ways, these late-twentieth-century Catholic artists share a sense of its inherent value. Moreover, they use ideas and terminology from the rich tradition of Catholic sacramentality, especially as it was articulated in the documents of Vatican II, to describe that value. In this way they challenge the Church to take its own tradition seriously and to reconsider its relationship to a relatively recent apologetics that has emphasized a narrow view of human reason and a rigid sense of orthodoxy.