Books by "Charles G. Nauert"
3 books found
Exorcising our Demons: Magic, Witchcraft and Visual Culture in Early Modern Europe
by Charles Zika
2021 · BRILL
This collection of sixteen essays deals with the role of magic, religion and witchcraft in European culture, 1450-1650, and the critical role of the visual in that culture. It covers the relationship of humanism and magic; the intersection of religious ritual, orthodoxy and power; the discursive links between the visual language of witchcraft and contemporary anxieties about sexuality and savagery. The introductory chapter urges us to exorcise our tendency to reduce historical experiences of the demonic to forms of unreason created in a distant past. Only then can we understand the role of the demonic in our historical definition of the self and the other. Richly illustrated with 112 images, the book will interest historians and art historians.
The Hittites created one of the great civilizations of the ancient world, although it remained almost unknown until excavations in the early 20th century revealed the extent and importance of its culture. For nearly five centuries the Hittites controlled vast areas of Anatolia, by direct or indirect rule, engaging in almost incessant warfare, and, at the same time, making significant contributions to culture and religion of the region. This second edition of Historical Dictionary of the Hittites contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on mportant persons, places, essential institutions, and the significant aspects of the society, government, economy, material culture, and warfare. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Hittites.
Professor Charles D. Cuttler changed from artist to art historian at New York University's Institute of Fine Arts, studying under distinguished teachers such as Walter Friedlaender and Erwin Panofsky. A specialist in Flemish painting, he spent the major part of his career teaching at the University of Iowa. He published numerous articles, reviews, and a well known text, Northern Painting. He lectured on Bosch on three continents, and his retirement enabled him to devote time to further research. A result is Hieronymus Bosch: Late Work. This new book presents Cuttler's discoveries on three late triptychs, a major trio of Bosch's maturity: the Haywain, the Lisbon Temptation of St. Anthony, and the Garden of Earthly Delights. He presents Bosch's unique view of Christ and salvation in union with hagiography, the Devotio moderna, and medieval hermeneutics, a revelation of Bosch's immense erudition and overwhelming artistry. Bosch reinforced his concepts with supporting casts of animals, natural and demonic, birds, and other iconographic elements. Analysis of the Berlin painting of St. John the Evangelist's apocalyptic vision of the Virgin Mary, the Madrid Seven Deadly Sins tondo, and the Vienna drawing of the Tree-Man expands our understanding of these themes. Other influences affecting Bosch's art, such as whether he travelled or whether he used contemporary prints, whether he drew upon Dante's Inferno, or religious tracts, and the attitudes of his ambience are also examined. The final chapter presents the author's understanding of Bosch, his religiosity and his genius, in his time and place.