6 books found
A skillful and fascinating retelling of the often testy relationship between J. P. Morgan and Roger Fry, two men who did more to establish the preeminence of the Metropolitan Museum of Art than any collector and curator before or since. Shortly after the turn of the twentieth century, the Metropolitan Museum of Art began an ambitious program of collection building and physical expansion that transformed it into one of the world’s foremost museums, an eminence that it has maintained ever since. Two men of singular qualities and accomplishments played key roles in the Met’s transformation—J. P. Morgan, America’s leading financier and a prominent art collector, and Roger Fry, the headstrong English expert in art history who served as the Met’s curator of painting. Their complicated, often contentious relationship embodies and illuminates the myriad tensions between commerce and art, philanthropists and professional staff, that a great museum must negotiate to define and fulfill its mission. In this masterful, multidisciplinary narrative, Charles Molesworth offers the first in-depth look at how Morgan and Fry helped to mold the cultural legacy of masterpieces of painting and the development of the “encyclopedic” museum. Structuring the book as a joint biography, Molesworth describes how Morgan used his vast wealth to bring European art to an American citizenry, while Fry brought high standards of art history from the world of connoisseurs to a general public. Their clashes over the purpose and functions of the Met, which ultimately led to Fry’s ouster, reveal the forces—personal and societal—that helped to shape the Metropolitan Museum and other major American cultural institutions during the twentieth century.
by Charles Robert Ashbee
1917 · London : Essex House Press : B.T. Batsford
"Ashbee's most substantial presentation of his ideas on architecture, the arts, town planning and modern life in general, showing the respective influences on him of Bodley, Morris, Frank Lloyd Wright, the English Arts and Crafts movement and American Beaux Arts classicism. It is still stimulating reading today"--abebooks website.
The Book of Common Prayer is a remarkable book, a sacred book in more than one sense. It is primarily a liturgical text, meant to be used in corporate worship, and at the same time a literary landmark, a cultural icon, and a focus of identity for Anglican Christianity. This brief, accessible account of the Prayer Book, as it is often called, describes the contents of the classical version of the text, with special emphasis on the services for which it has been used most frequently since it was issued in 1662. Charles Hefling also examines the historical and theological context of the Prayer Book's origins, the changes it has undergone, the controversies it has touched off, and its reception in England, Scotland, and America. Readers are introduced to the political as well as the spiritual influence of the Book of Common Prayer, and to its enduring place in English-speaking religion.