The Warrior Saints in Byzantine Art and Tradition

by Christopher Walter

2016 · Routledge

Christopher Walter's study of the cult and iconography of Byzantine warrior saints - George, Demetrius, the two Theodores, and dozens more - is at once encyclopaedic and interpretative, and the first comprehensive study of the subject. The author delineates their origins and development as a distinctive category of saint, showing that in its definitive form this coincides with the apogee of the Byzantine empire in the 10th-11th centuries. He establishes a repertory, particularly of their commemorations in synaxaries and their representations in art, and describes their iconographical types and the functions ascribed to them once enrolled in the celestial army: support for the terrestrial army in its offensive campaigns, and a new protective role when the Byzantine Empire passed to the defensive. The survey highlights the lack of historicity among the Byzantines in their approach to the lives of these saints and their terrestrial careers. An epilogue briefly treats the analogous traditions in the cultures of neighbouring peoples. Walter draws attention to the development of an echelon of military saints, notably in church decoration, which provides the surest basis for defining their specificity; also to the way in which they were depicted, generally young, handsome and robust, and frequently 'twinned' in pairs, so calling attention to the importance of camaraderie among soldiers. At the same time, this work opens a new perspective on the military history of the Byzantine Empire. Its ideology of war consistently followed that of the Israelites; protected and favoured by divine intervention, there was no occasion to discuss the morality of a 'just war'. Consequently, when considering Byzantine methods of warfare, due attention should be given to the important role which they attributed to celestial help in their military campaigns.

Hard Scrabble to Hallelujah, Volume 1: Bayou Terrebonne

by Christopher Everette Cenac Sr.

2016 · Univ. Press of Mississippi

Winner of a 2017 Louisiana Endowment for the Humanities Book of the Year Award This book represents the first time that the known history and a significant amount of new information has been compiled into a single written record about one of the most important eras in the south-central coastal bayou parish of Terrebonne. The book makes clear the unique geographical, topographical, and sociological conditions that beckoned the first settlers who developed the large estates that became sugar plantations. This first of four planned volumes chronicles details about founders and their estates along Bayou Terrebonne from its headwaters in the northern civil parish to its most southerly reaches near the Gulf of Mexico. Those and other parish plantations along important waterways contributed significantly to the dominance of King Sugar in Louisiana. The rich soils and opportunities of the area became the overriding reason many well-heeled Anglo-Americans moved there to join Francophone locals in cultivating the crop. From that nineteenth century period up to the twentieth century’s side effects of World Wars I and II, Hard Scrabble to Hallelujah, Volume I: Bayou Terrebonne describes important yet widely unrecognized geography and history. Today, cultural and physical legacies such as ex-slave-founded communities and place names endure from the time that the planter society was the driving economic force of this fascinating region.

Making the Grand Figure

by Toby Christopher Barnard, Fellow and Tutor in Modern History T C Barnard

2004 · Yale University Press

"Through such everyday articles as linen shirts, wigs, silver teaspoons, pottery plates and engravings, Barnard evokes a striking variety of lives and attitudes. Possessions, he shows, even horses and dogs, highlighted and widened divisions, not only between rich and poor, women and men, but also between Irish Catholics and the Protestant settlers. Displaying fresh evidence and unexpected perspectives, the book throws new light on Ireland during a formative period. Its discoveries, set within the context of the 'consumer revolution' gripping Europe and North America, allow Ireland for the first time to be integrated into discussions of the pleasures and pains of consumerism."--BOOK JACKET.

Starling

by Christopher Ward

1927

"On the suppression of women's personalities in marriage and the justifiability of divorce." Cf. Hanna, A. Mirror for the nation

Sister Mary Ignatius Explains it All for You ; And, The Actor's Nightmare

by Christopher Durang

1982 · Dramatists Play Service, Inc.

For more than 20 years, Sister Mary has struck fear into the hearts of her young students. Creation, damnation, heaven, hell, sex and salvation all receive her unforgiving, unwavering, strict vision! Now, four grown students from the past are returning to confront Sister Mary.

British and Irish Paintings in Public Collections

by Christopher Wright, Catherine May Gordon

2006 · Yale University Press

This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.