11 books found
David Hopkins analyses the extensive network of shared concerns and images in the work of Marcel Duchamp and Max Ernst, the greatest names associated with Dada and Surrealist art. This book covers a broad period from c.1912 to the mid-1940s, during which the emergence of Dada and Surrealism in Europe and the United States challenged earlier movements such as Cubism and Expressionism, creating scope for the expression of the unconscious fears and desires of artists acutely sensitive to the troubled nature of their times. Examining Duchamp's and Ernst's subversion and manipulation of religious and hermetic beliefs such as Catholicism, Rosicrucianism and Masonry, David Hopkins demonstrates the ways in which these esoteric concerns intersect with themes of peculiarly contemporary relevance, including the social construction of gender and notions of ordering and taxonomy. This detailed comparison of components of Duchamp's and Ernst's work reveals fascinating structural patterns, enabling the reader to discover an entirely new way of understanding the mechanisms underlying Dada and Surrealist iconography.
Part IX: 2018 Annual (1879-1895) features contributions by: Deanna Baran, Roger Riccard, David Marcum, Tracy Revels, S.R. Bennett, Nick Cardillo, Robert Stapleton, Kevin Thornton, Leslie Charteris and Denis Green, Shane Simmons, James Moffett, C.H. Dye, Stephan Gaspar, Marcia Wilson, Sonia Featherstone, Geri Schear, David Friend, Mark Mower, and a poem by Amy Thomas… and Forewords in both volumes by Nicholas Meyer, Roger Johnson, and David Marcum. Once again, the adventures of Sherlock Holmes and Dr. Watson continue in this acclaimed anthology series, with thirty-seven new tales presented in two companion volumes – more Holmes than could fit into one book! In 2015, The MX Book of New Sherlock Holmes Stories was first published, a huge three-book set featuring over sixty new traditional Holmes exploits, all set within the correct time period. Soon, the demand for even more traditional Holmes adventures led to further volumes. The next year brought Part IV: 2016 Annual, and then Part V: Christmas Adventures. In spring 2017 there was Part VI: 2017 Annual, and that fall revealed the massive two-volume set, Parts VII and VIII: Eliminate the Impossible. Now we present another two simultaneous volumes, Parts IX and X: 2018 Annual (1879-1895) and (1896-1916). There can be no argument that Sherlock Holmes is one of the most famous and recognizable figures in the world. There were only sixty narratives brought to us by the original Literary Agent, Sir Arthur Conan Doyle. Clearly that is not enough. Watson once wrote that he kept his unpublished cases in his old Tin Dispatch Box. Now, with the publication of these latest volumes, that box has again been explored by some of today's best Sherlockian writers, all of whom are donating their royalties from these anthologies toward the restoration of Undershaw, one of Sir Arthur Conan Doyle's houses, and the location where The Hound of the Baskervilles and many later Holmes stories were completed. Climb the seventeen steps to the sitting room at 221b Baker Street. Sherlock Holmes and Doctor Watson are waiting... The game is afoot!
by Fer, Francis Haskell, Briony Fer, David Batchelor, Paul Wood
1993 · Yale University Press
This book begins by considering responses by French artists to the First World War, showing how Purism, Dada, and early Surrealism are related to the ethos of post-war reconstruction. The authors then discuss the language of construction in places as dissimilar as France, Germany, and the Soviet Union; the contrasting demands of the utility and decoration of objects and paintings; and the relationship of surrealism to questions of sexuality and gender and to Freudian theory. The book concludes by addressing the widespread debate over realism in art: whether it represents an alternative to the elitism of the avant-garde or whether avant-garde art should play a role in the development of a modern realism.
A wide-ranging look at surrealist and postsurrealist engagements with the culture and imagery of childhood We all have memories of the object-world of childhood. For many of us, playthings and images from those days continue to resonate. Rereading a swathe of modern and contemporary artistic production through the lens of its engagement with childhood, this book blends in-depth art historical analysis with sustained theoretical exploration of topics such as surrealist temporality, toys, play, nostalgia, memory, and 20th-century constructions of the child. The result is an entirely new approach to the surrealist tradition via its engagement with "childish things." Providing what the author describes as a "long history of surrealism," this book plots a trajectory from surrealism itself to the art of the 1980s and 1990s, through to the present day. It addresses a range of figures from Marcel Duchamp, Giorgio de Chirico, Max Ernst, Hans Bellmer, Joseph Cornell, and Helen Levitt, at one end of the spectrum, to Louise Bourgeois, Eduardo Paolozzi, Claes Oldenburg, Susan Hiller, Martin Sharp, Helen Chadwick, Mike Kelley, and Jeff Koons, at the other.