Books by "David Young Comstock"
5 books found
The New York Times bestseller and the Edgar Award for Best Fact Crime winner Killers of the Flower Moon is now adapted for young readers. **KILLERS OF THE FLOWER MOON IS SOON TO BE A MAJOR MOTION PICTURE DIRECTED BY MARTIN SCORSESE STARRING LEONARDO DICAPRIO AND ROBERT DE NIRO** This book is an essential resource for young readers to learn about the Reign of Terror against the Osage people – one of history's most ruthless and shocking crimes. In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma, thanks to the oil that was discovered beneath their land. Then, one by one, the Osage began to die under mysterious circumstances, and anyone who tried to investigate met the same end. As the death toll surpassed more than twenty-four Osage, the newly created Bureau of Investigation, which became the FBI, took up the case, one of the organization's first major homicide investigations. An undercover team infiltrated the region, struggling to adopt the latest modern techniques of detection. Working with the Osage, they began to expose one of the most chilling conspiracies in American history. In this adaptation of the adult bestseller, David Grann revisits his gripping investigation into the shocking crimes against the Osage people.
In this book, Simmons argues that class, as much as race and gender, played a significant role in the development of Gothic and Horror fiction in a national context. From the classic texts of Edgar Allen Poe and Nathaniel Hawthorne right through to contemporary examples, such as the novels of Stephen King and Stephenie Meyer’s Twilight Series, class remains an ever present though understudied element. This study will appeal to scholars of American Studies, English literature, Media and Cultural Studies interested in class representations in the horror genre from the nineteenth century to the present day.
In modern-day America, newspaper advice columns have become public forums for the discussion of human sexuality. Although questions posed to newspaper advice columnists ranges from matters of etiquette to intimacy, as they have for decades, increasingly most of the limited space in these newspaper features address issues that fall under a broader heading of sexuality. Questions about marital fidelity, dating and relationships, sexual practices, gender roles, and sexual taboos have all become "hot button" topics within the morally conservative mainstream press. In Confidential to America, David Gudelunas shows how, since the 1950s, advice columns have been one of the few consistent, mainstream, and widely available public forums for the discussion of topics severely restricted in other places.Newspaper advice columns serve as sites of discussion about sexuality within a larger culture that is severely divided on questions of how, when, and to what extent one may formally speak about sexuality. Even now, at the turn of the twenty-first century, high schools remain hesitant to devote more than a semester or two to formal discussions of sexuality. When they do, under current governmental policy and pressure, these discussions are often restricted to abstinence-only programs or what might be described as "non-discussions" of sexuality. Community-based sexual education programs are similarly restricted in their reach, funding, and, more often than not, effectiveness. In America in the twenty-first century, talking about sex in educational contexts is perceived to be almost as risky as having sex.Gudelunas demonstrates that while formal discussions of sexuality are strictly regulated and often thwarted, the informal curriculum of sexuality, particularly in the American mass media, has become ever more vocal on the topic of sex. From depictions conveyed through fictional and reality-based popular culture, to discussions taking place in the cafeteria (if not the classroom) and in Internet chat rooms, sexuality dominates our collective conscience.
British author and essayist George Orwell shot to fame with two iconic novels: the anti-Stalinist satire Animal Farm and the dystopian masterpiece Nineteen Eighty-Four. A few years after his death in 1950, the CIA bankrolled screen adaptations of both novels as Cold War propaganda. Orwell's depiction of a totalitarian police state captivated the media in the 1980s. Today, mounting anxieties about digital surveillance and globalization have made him a hot property in Hollywood. Drawing on interviews with actors, writers, directors and producers, this book presents the first comprehensive study of Orwell on film and television. Beginning with CBS's 1953 live production of Nineteen Eighty-Four that mirrored the McCarthy witch hunts, the author covers 20 wide-ranging adaptations, documentaries and biopics, including two lost BBC dramatizations from 1965.