The 6th United States Cavalry in the Civil War

by Donald C. Caughey, Jimmy J. Jones

2013 · McFarland

This is the first scholarly history of the only regular army cavalry regiment raised during the Civil War. Unlike volunteer regiments raised by individual states, the regular regiments drew soldiers from across the country. By war's end 2,130 men and at least one woman from 29 states and 14 countries served in the 6th U.S. Cavalry. The regiment's initial cast of officers included two grandsons of a former president, a cousin of Confederate President Jefferson Davis, two cousins of the governor of Pennsylvania, the son of a Radical Republican senator who opposed President Lincoln, and a number of enlisted soldiers promoted from the ranks. The book relies heavily upon primary sources to tell the regiment's story in the words of the participants. These include diaries and letters of officers and enlisted soldiers alike, several of which are previously unpublished. Official reports are excerpted when appropriate to provide the commander's view of the regiment's performance.

Robert Browning's Language

by Donald S. Hair

1999 · University of Toronto Press

What are the influences that shaped the language used by one of the nineteenth century's greatest writers? How did his religious beliefs, the books he owned, the paintings and music he loved, affect almost sixty years' output of poems, plays, essays, and letters? This book attempts to define Browning's understanding of the nature and use of words and syntax by considering not only a full range of texts from the 1833 Pauline to the 1889 Asolando, but also the ideas important to Browning, the historical context in which he lived, and the other artistic passions that played a part in his life. In this companion volume to Tennyson's Language, Donald Hair establishes Browning's place at the crossroads between empirical and idealist traditions and explains his "double view" of language, arguing that both Locke and the Congregationalists found language to be at the same time empty and a God-given essential. The Victorian age's anti-theatrical bias, which Browning came to share, and his reading of predecessors, principally Quarles, Bunyan, Donne, and Smart, also shaped his understanding of the diction of poetry. Hair conceives of Browning's language as a theoretical whole, encompassing words, genres, rhyme, syntax, and phonetics. He also links Browning's interest in music with his rhyming, the most essential and characteristic feature of his prosody, and relates his interest in painting to the interpretation of the visual image in the emblem and in typology.

Fresh Strange Music

by Donald Sherman Hair

2015 · McGill-Queen's Press - MQUP

A new approach to Elizabeth Barrett Browning's art through the music of her poetry and its social and political implications.