6 books found
As the twentieth century drew to an end and the millennium approached, a new ethnic category was invented in the South. The Melungeons were born thrashing and squawling into the American consciousness. They were a tri-racial clan hidden away in the hills and hollers of Lower Appalachia with a genetic predisposition to six fingers and Mediterranean diseases and an unsavory reputation for moonshining, counterfeiting and secret cults. DNA studies showed they were probably descended from Portuguese colonists and had connections with Jews, Muslims, Africans, Native Americans and Romani (Gypsies). Were they the country's oldest indigenous people? They soon got on the radar of the Bureau of Indian Affairs' Office of Recognition, which fought the nascent identity movement tooth and nail. This collection by two researchers involved in the explosive controversy tells the story of the Melungeon Movement in a coherent, chronological fashion for the first time. Fourteen original illlustrations, ranging from Granny Dollar, the last Cherokee Indian in Northeast Alabama, to Luis Gomez, builder of the oldest standing Jewish residence in the United States, add interest to the portrayal of this mysterious and exotic ethnic community.
This social history examines the westward migration of US farming families from the southern seaboard in the years before the American Civil War.
A unique collection of Shaker songs and dances that keeps alive this important musical heritage
NEW FOREWORD BY JANELLE MONÁE Selected by The Atlantic as one of THE GREAT AMERICAN NOVELS. From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now. “I lost an arm on my last trip home. My left arm.” Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present. Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times). “Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” —N. K. Jemisin
" An important] detailing of the development and evolution of a major institution of the African Diaspora and] of Brazilian and Afro-Brazilian identity." --Sheila S. Walker The Afro-Brazilian religion Candombl has long been recognized as an extraordinary resource of African tradition, values, and identity among its adherents in Bahia, Brazil. Outlawed and persecuted in the late colonial and imperial period, Candombl nevertheless developed as one of the major religious expressions of the Afro-Atlantic diaspora. Drawing principally on primary sources, such as police archives, Rachel E. Harding describes the development of the religion as an "alternative" space in which subjugated and enslaved blacks could gain a sense of individual and collective identity in opposition to the subaltern status imposed upon them by the dominant society.