7 books found
During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt.
This is the first English-language intellectual biography of the German-Jewish philosopher Ernst Cassirer (1874-1945), a leading figure on the Weimar intellectual scene and one of the last and finest representatives of the liberal-idealist tradition. Edward Skidelsky traces the development of Cassirer's thought in its historical and intellectual setting. He presents Cassirer, the author of The Philosophy of Symbolic Forms, as a defender of the liberal ideal of culture in an increasingly fragmented world, and as someone who grappled with the opposing forces of scientific positivism and romantic vitalism. Cassirer's work can be seen, Skidelsky argues, as offering a potential resolution to the ongoing conflict between the "two cultures" of science and the humanities--and between the analytic and continental traditions in philosophy. The first comprehensive study of Cassirer in English in two decades, this book will be of great interest to analytic and continental philosophers, intellectual historians, political and cultural theorists, and historians of twentieth-century Germany.
From one of the world's most beloved and outspoken public intellectuals comes an illuminating book on the nature of criticism "Readers will be surprised, stimulated, instructed, impressed."―The New Yorker “What is a beginning? What must one do in order to begin? What is special about beginning as an activity or a moment or a place?” So begins Beginnings, a scintillating work of criticism by Edward W. Said, author of Orientalism, The Question of Palestine, and other seminal works, and one of the most lauded public intellectuals of our time. Tracing humankind’s diverse understandings of what it means to begin throughout history, Said argues that “beginning” is itself a method, the first step in the creation of meaning. It’s what sparks a break from preexisting tradition, and it’s what authorizes new texts to be. As ever, Said insists on a criticism that is both humane and socially responsible. Beginnings is about much more than writing: it is about imagination and action as well as the constraints on freedom and invention that come from achieving human intention. The result is a classic and necessary treatise on the role of the intellectual and the worth of criticism.
An innovative look at the process and development of nineteenth-century modernism.
In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface superco
A history of Camp Travis and its part in the action of World War 1. Contains photographs of the various Companies that passed through the Camp.