Books by "Elizabeth Arnold Hitchcock"
4 books found
Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.
A Practical Guide to a Task-based Curriculum
by Icy LEE, Anne MA, May PANG, Elizabeth WALKER, Alice CHOW, Benjamin LI
2008 · City University of HK Press
This book aims to support and empower frontline ELT teachers in implementing a task-based approach systematically without losing sight of the importance of grammar teaching within the framework of tasks. Useful examples are provided to illustrate how grammar teaching can be conducted through meaningful tasks in authentic contexts. The importance of viewing assessment as an integral part of the learning, teaching and assessment cycle is also discussed with practical suggestions on developing assessment tasks and assessment assessment criteria provided. Published by City University of Hong Kong Press. 香港城市大學出版社出版。
For fans of Ruta Septys and Monica Hesse comes a lush historical mystery set in post-World War II America against the flashy backdrop of Hollywood's film studios about a shocking murder that threatens to unearth the ghosts of a young German immigrant's past. Hollywood, 1946. The war is over, and eighteen-year-old Clara Berg spends her days shelving reels as a vault girl at Silver Pacific Studios, with all her dreams pinned on getting a break in film editing. That and a real date with handsome yet unpredictable screenwriter Gil. But when she returns a reel of film to storage one night, Clara stumbles across the lifeless body of a woman in Vault 5. The costume, the makeup, the ash-blond hair are unmistakable--it has to be Babe Bannon, A-list star. And it looks like murder. Suddenly Clara's world is in free-fall, her future in movies upended--not to mention that her refugee parents are planning to return to Germany and don't want her to set foot on the studio lot again. As the Silver Blonde murder ignites Tinseltown, rumors and accusations swirl. The studio wants a quick solve, but the facts of the case keep shifting. Nothing is what it seems—not even the victim. Clara finds herself drawn, inevitably, to the murder investigation, and the dark side of Hollywood. But how far is she willing to go to find the truth?
An eclectic and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. 1950s popular culture is analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.