Books by "Elizabeth B. Jaffe"
5 books found
Written for students at every level of training, including psychiatry residents, psychology graduate students, social work students, and medical students, The Psychoanalytic Model of the Mind explains how the psychoanalytic model works and how it contributes to the care of people with mental illness. The book is founded on the psychoanalytic thinking that evolved over the last 120 years and surveys how the psychoanalytic model has become the basis for almost all psychological treatments, or “talking cures,” for emotional suffering. In plain and accessible language, the author outlines the history of psychoanalysis, answers basic questions, defines the core dimensions of psychodynamic models, and illustrates their clinical utility. The Psychoanalytic Model of the Mind explores the most complex model of mental functioning ever formulated for clinical purposes and demonstrates that this model is useful in treating all patients, all of the time.
This volume surveys the history of printmaking with a particular focus on artists and works that expanded the boundaries of various media, including woodcuts, etchings, engravings, lithographs, mezzo-tints, screen prints and more, right up to the digital and photographic processes of today. Originally published in hardback in 2000 this title received excellent reviews. Now republished in paperback making it more accessible to an even wider market 84 colour illustrations
At a recent meeting to discuss the domains of cell biology, I put forth a case for the extracellular matrix, even though my argument ran the risk of falling on deaf ears. After all, the matrix is EXTRAcellular, outside the cells. In this book, however, the authors make a compelling case for the relevance of the matrix to cellular concerns. Not only are numerous cell types, including many epithelia, quite caught up in the business of manufacturing matrix components, but also most of them contain matrix molecules in exoskeletons that are attached to the plasmalemma and that organize or otherwise influence the affairs of the cyto plasm. The idea of this book is to present the extracellular matrix to cell biolo gists of all levels. The authors are active and busy investigators, recognized experts in their fields, but all were enthusiastic about the prospect of writing for this audience. The chapters are not "review" articles in the usual sense, nor are they rehashes of symposium talks; they were written specifically for this book and they present the "state of the art" in engaging style, with ample references to more technical or historical reviews. The book is rich in electron micro graphs and diagrams and for many of the latter, as well as for the design of the cover, we are indebted to Sylvia J. Keene, medical illustrator for the Department of Anatomy at Harvard Medical Scrool. We also owe special thanks to Susan G.
Reading American Art
by Professor and Department Head of Art & Art History Elizabeth Milroy
1998 · Yale University Press
This anthology brings together twenty outstanding works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays--all written within the past two decades--reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects--from colonial portraits to nineteenth-century sculptures of women to photographic images of New York--and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O'Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.