Books by "Frank Preston Stearns"
10 books found
In "Vergil: A Biography," Tenney Frank delves into the life and literary genius of the Roman poet Vergil, best known for his epic work, the "Aeneid." Frank employs a clear and engaging narrative style, seamlessly weaving biographical details with critical analysis of Vergil's influence on literature and culture. The book situates Vergil within the turbulent socio-political landscape of ancient Rome, exploring how his experiences shaped his poetry and his enduring legacy. Through meticulous research and thoughtful interpretation, Frank illuminates the complexities of Vergil's character, while also addressing broader themes of fate, duty, and the human experience that resonate throughout his works. Tenney Frank, an esteemed classical scholar, possessed a profound admiration for Vergil's artistry, which is evident in this biography. Educated at renowned institutions and a prominent figure in early 20th-century classical studies, Frank's expertise reflects his deep engagement with Roman literature. His scholarly background affords readers unique insights into Vergil's historical context, as well as the motivations that may have driven his poetic endeavors, making this biography not just a recounting of facts, but also an exploration of artistic inspiration. I highly recommend "Vergil: A Biography" to both scholars and casual readers alike. This work is an invaluable resource for anyone interested in understanding Vergil's life and contributions to literature, offering a nuanced perspective on how his personal journey intertwines with his artistic output. Frank's blend of biography and literary criticism provides a comprehensive view that enriches our appreciation of one of Rome's greatest poets.
Excerpt: ...of their little red cottage, which has since unfortunately been destroyed by fire. She even began to give her daughter, who was only six years old, some instruction in drawing. The following extract concerning her husband, from a letter written to her mother, is charmingly significant of her state of mind at this time. "Beauty and the love of it, in him, are the true culmination of the good and true, and there is no beauty to him without these bases. He has perfect dominion over himself in every respect, so that to do the highest, wisest, loveliest thing is not the least effort to him, any more than it is to a baby to be innocent. It is his spontaneous act, and a baby is not more unconscious in its innocence. I never knew such loftiness, so simply borne. I have never known him to stoop from it in the most trivial household matter, any more than in a larger or more public one." Footnote: J. Hawthorne, i. 373. Truly this gives us a beautiful insight into their home-life, and Hawthorne himself could not have written a more accurate eulogium. As intimated in the last chapter, we all make our way through life by correcting our daily trespasses, and Hawthorne was no exception to it; but as a mental analysis of this man at his best Mrs. Hawthorne's statement deserves a lasting recognition. "THE HOUSE OF THE SEVEN GABLES" It was not until early frosts and shortening days drove Hawthorne within doors that he again took up his writing, but who can tell how long he had been dreaming over his subject? Within five months, or by the last week of January, "The House of the Seven Gables" was ready for the press. There is no such house in Salem, exactly as he describes it; but an odd, antiquated-looking structure at No. 54 Turner Street is supposed to have served him for the suggestion of it. The name is picturesque and well suited to introduce the reader to a homely suburban romance. The subject of the story goes back to the witchcraft period, and its active...
A History of American Magazines, Volume III: 1865-1885
by Frank Luther Mott
1938 · Harvard University Press
The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.