Symphony no. 2 in D Minor, op. 24 ("Jullien"}

by George Frederick Bristow

2011 · A-R Editions, Inc.

URL: https://www.areditions.com/rr/rra/a072.html George Frederick Bristow (1825¿98), American composer, conductor, teacher, and performer, was a pillar of the New York musical community for the second half of the nineteenth century. His participation in an important mid-century battle-of-words (between William Henry Fry and the journalist Richard Storrs Willis and concerning a lack of support for American composers by the Philharmonic Society) has unfortunately overshadowed his accomplishments as a composer, which were significant. Bristow is remembered today primarily for his opera Rip van Winkle (1855) and oratorio Daniel (1866), but he was also a skillful and productive composer of orchestral music¿one of only a handful of American orchestral composers active at mid-century.Bristow wrote his Symphony no. 2 (Jullien) in 1853. It is a substantial work in four movements, scored for the standard orchestra of the early nineteenth century, and strongly influenced by the personal styles of Beethoven and Mendelssohn (whose works were performed regularly by the Philharmonic Society). The symphony is skillfully crafted, melodious, and an intrinsically worthy work of musical artistry. It was named to honor the French conductor Louis Jullien, who visited the United States in 1853¿54 with an unparalleled orchestra. While in the United States Jullien both commissioned and performed American works (including this symphony); his support served as the catalyst for the Fry/Willis battle. The introductory essay to this symphony examines Bristow¿s career, the composition of orchestral music in America at mid-century, and Jullien¿s role in the musical battle; the edition makes available for the first time an important work that has been undeservedly forgotten for over 150 years.

English Opera from 1834 to 1864 with Particular Reference to the Works of Michael Balfe

by George Biddlecombe

2018 · Routledge

First published in 1994. This study sets out to investigate English opera from 1834 to 1864. The author attempts to understand the circumstances influencing the development of English nineteenth-century opera, its characteristic features, and the reasons why these traits held sway. This title will be of great interest to students of art and cultural history.

The Standard Oratorios: Their Stories, Their Music, And Their Composers

by George P. Upton

2019 · Good Press

In 'The Standard Oratorios: Their Stories, Their Music, And Their Composers,' George P. Upton presents a meticulous exploration of the world of oratorios, weaving together vivid narratives, musical analysis, and biographical sketches of quintessential composers. This scholarly text not only dissects the thematic and structural components of celebrated works, but it also situates these masterpieces within their historical contexts, revealing the social and religious influences that shaped their creation. Upton's engaging prose transcends mere academic examination, making complex musical concepts accessible to a broad readership while retaining the rigor expected of serious musicological study. George P. Upton, an esteemed musicologist and critic of the late 19th century, was deeply embedded in the cultural milieu of his time. His extensive knowledge of music history and his experiences as a pianist and composer allowed him to provide insightful commentary on the oratorio genre. Upton's works often highlight the intersection of narrative and musical form, reflecting his belief in the power of music to convey profound emotional truths. This book is a vital resource for students, musicians, and enthusiasts alike, offering a comprehensive guide to understanding oratorios through Upton's lens. Whether you are new to this genre or seeking to deepen your appreciation of its richness, Upton's book serves as an essential companion in your musical journey.

The Standard Cantatas

by George Putnam Upton

2018 · BoD – Books on Demand

Reproduction of the original.