Books by "Henry Ansgar Kelly"
3 books found
Throughout the ages, Satan has been seen as God's implacable enemy, fiercely determined to keep as many human beings as he can from entering the heavenly kingdom. But according to Henry Ansgar Kelly, this understanding dates only from post-biblical times, when Satan was reconceived as Lucifer, a rebel angel, and as the serpent in the garden of Eden. In the Bible itself, beginning in the book of Job and continuing through the New Testament, Satan is considered to be a member of the heavenly government, charged with monitoring the human race. In effect, he is God's Minister of Justice, bent on exposing sin and vice, especially in virtuous-seeming persons like Job and Jesus. He fills the roles of investigator, tempter (that is, tester), accuser, prosecutor, and punisher, but also obstructer, preventer of vice, and rehabilitator. He is much feared and despised, accused of underhanded and immoral tactics. His removal from office is promised and his eventual punishment hoped for. The later misreading of Satan as radically depraved transformed Christianity into a highly dualistic religion, with an ongoing contest between good and evil. Seeing Satan in his true nature, as a cynical and sinister celestial bureaucrat, will help to remedy this distorted view.
A study of Chaucer's definition of tragedy - with special reference to Troilus -and its lasting influence on English dramatists. This book is concerned with the medieval idea of what constituted tragedy; it suggests that it was not a common term, and that those few who used the term did not always intend the same thing by it. Kelly believes that it was Chaucer's work which shaped notions of the genre, and places his achievement in critical and historical context. He begins by contrasting modern with medieval theoretical approaches to genres, then discusses Boccaccio's concept of tragedy before turning to Chaucer himself, exploring the ideas of tragedy prevalent in medieval England and their influence on Chaucer, and showing how Chaucer interpreted the term. Troilus and Criseyde is analysed specifically as a tragedy, with an account of its reception in modern times; for comparison, there is an analysis of how John Lydgate and Robert Henryson, two of Chaucer's imitators, understood and practiced tragedy. Professor HENRY ANSGAR KELLY teaches at UCLA.
Translated shortly before 1400, the Bible became the most popular medieval book in English. Prevailing scholarly opinion calls it the Wycliffite Bible, attributing it to followers of the heretic John Wyclif, and claims it was banned in 1407. Henry Ansgar Kelly disagrees, arguing it was a nonpartisan effort and never the object of any prohibition.