Books by "Hjalmar Hjorth Boyesen"
12 books found
In "A Good-For-Nothing," Hjalmar Hjorth Boyesen delves into the complexities of human relationships and societal expectations through the lens of a seemingly aimless protagonist, Knut. The narrative is infused with Boyesen's characteristic wit and keen psychological insight, reflecting the social anxieties of late 19th-century America. Boyesen's literary style employs vivid characterizations and sharp dialogues, creating an engaging tableau of the struggles between individuality and conformity in a rapidly modernizing world. With a blend of realism and romanticism, the novel captures the disorientation of a generation caught between tradition and the burgeoning spirit of independence. Hjalmar Hjorth Boyesen was a Norwegian-American author, scholar, and cultural critic whose own experiences as an immigrant significantly influenced his literary works. Adapting to the American landscape, Boyesen sought to explore themes of identity, belonging, and the often tumultuous intersections of culture that define the immigrant experience. His academic background, along with his keen observational skills, endowed him with a unique perspective that permeates his narratives, particularly in "A Good-For-Nothing." This masterful novel, rich in thematic depth and insightful character studies, is highly recommended for readers drawn to explorations of human motivation and social critique. It serves not only as a reflection of Boyesen's own experiences but also as a timeless examination of the perennial quest for purpose in a world fraught with expectation and uncertainty.
After the death of the beloved aunt who has raised her, twelve-year-old Summer and her uncle Ob leave their West Virginia trailer in search of the strength to go on living.
Essays on Scandinavian Literature
by Hjalmar Hjorth Boyesen
Reprint of the original, first published in 1881. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.
Halfdan Bjerk was a tall, slender-limbed youth of very delicate frame; he had a pair of wonderfully candid, unreflecting blue eyes, a smooth, clear, beardless face, and soft, wavy light hair, which was pushed back from his forehead without parting. His mouth and chin were well cut, but their lines were, perhaps, rather weak for a man. When in repose, the ensemble of his features was exceedingly pleasing and somehow reminded one of Correggio's St. John. He had left his native land because he was an ardent republican and was abstractly convinced that man, generically and individually, lives more happily in a republic than in a monarchy. He had anticipated with keen pleasure the large, freely breathing life he was to lead in a land where every man was his neighbor's brother, where no senseless traditions kept a jealous watch over obsolete systems and shrines, and no chilling prejudice blighted the spontaneous blossoming of the soul. Halfdan was an only child. His father, a poor government official, had died during his infancy, and his mother had given music lessons, and kept boarders, in order to gain the means to give her son what is called a learned education. In the Latin school Halfdan had enjoyed the reputation of being a bright youth, and at the age of eighteen, he had entered the university under the most promising auspices. He could make very fair verses, and play all imaginable instruments with equal ease, which made him a favorite in society. Moreover, he possessed that very old-fashioned accomplishment of cutting silhouettes; and what was more, he could draw the most charmingly fantastic arabesques for embroidery patterns, and he even dabbled in portrait and landscape painting. Whatever he turned his hand to, he did well, in fact, astonishingly well for a dilettante, and yet not well enough to claim the title of an artist. Nor did it ever occur to him to make such a claim. As one of his fellow-students remarked in a fit of jealousy, "Once when Nature had made three geniuses, a poet, a musician, and a painter, she took all the remaining odds and ends and shook them together at random and the result was Halfdan Bjerk." This agreeable melange of accomplishments, however, proved very attractive to the ladies, who invited the possessor to innumerable afternoon tea-parties, where they drew heavy drafts on his unflagging patience, and kept him steadily engaged with patterns and designs for embroidery, leather flowers, and other dainty knickknacks. And in return for all his exertions they called him "sweet" and "beautiful," and applied to him many other enthusiastic adjectives seldom heard in connection with masculine names. In the university, talents of this order gained but slight recognition, and when Halfdan had for three years been preparing himself in vain for the examen philosophicum, he found himself slowly and imperceptibly drifting into the ranks of the so-called studiosi perpetui, who preserve a solemn silence at the examination tables, fraternize with every new generation of freshmen, and at last become part of the fixed furniture of their Alma Mater. In the larger American colleges, such men are mercilessly dropped or sent to a Divinity School; but the European universities, whose tempers the centuries have mellowed, harbor in their spacious Gothic bosoms a tenderer heart for their unfortunate sons. There the professors greet them at the green tables with a good-humored smile of recognition; they are treated with gentle forbearance, and are allowed to linger on, until they die or become tutors in the families of remote clergymen, where they invariably fall in love with the handsomest daughter, and thus lounge into a modest prosperity.