Books by "J. Stewart Black"
10 books found
A woman must track down a murderer to save her brother from the hangman's noose ... A rollicking and entertaining historical mystery, filled with adventure and romance from the Australian author of Daughter of the Hunter Valley. 1842, Hunter Valley: Lucy Stewart's life turns chaotic when she finds herself caught up in a murder investigation in order to save her brother-in-law, Joe, from the hangman's noose. Constable Sam Donovan believes the accusations levelled at Joe Stewart are suspicious at best and feels compelled to work with Lucy to find the real killer. Getting to know this fiercely independent woman in the process is a bonus. Their pursuit brings them to the attention of the notorious Smokey Gang, and when Lucy is ambushed on a deserted bush track and threatened, they realise they must be getting close to finding out what is really going on in the Valley. Life has taught Lucy the hard way not to rely on anyone, but Lucy needs Sam's sleuthing skills. However, she has secrets in her past, the kind that once revealed change everything, and the only way she can find out if she can place her confidence in him, is to trust him. And that's the hard part... Bushrangers, corruption and cover-ups, it's a perilous journey to the truth... PRAISE FOR PAULA J. BEAVAN: 'Set against an untamed natural landscape with an incredible heroine at its heart, Daughter of the Hunter Valley is a spectacular piece of historical fiction. Fans of Jackie French and Darry Fraser will adore this.' - Better Reading 'An enjoyable read with great characters and a setting that I haven't read too much in stories set during this time.' - 1girltoomanybooks
Chloe and Her People offers an Africana Womanist reading of First Corinthians that privileges the knowledge, experiences, histories, traditions, voices, and artifacts of Black women and the Black community that challenge or dissent from Paul’s rhetorical epistemic constructions. Smith reads First Corinthians dialogically from the perspective of oppressed and marginalized readers situated in front of the text and those muted within and behind the letter. Struggling toward unmitigated freedom, Chloe and Her People talks back to and throws shade on, sometimes poetically, Paul’s muting and subordination of women, rhetorically constructed binary knowledge, the glass ceiling placed on women’s heads, heterosexual marriage as a mechanism for managing lust, and androcentric patriarchal love built on women’s passive bodies.
The Textual Effects of David Walker's "Appeal"
by Marcy J. Dinius
2022 · University of Pennsylvania Press
Historians and literary historians alike recognize David Walker's Appeal to the Coloured Citizens of the World (1829-1830) as one of the most politically radical and consequential antislavery texts ever published, yet the pamphlet's significant impact on North American nineteenth-century print-based activism has gone under-examined. In The Textual Effects of David Walker's "Appeal" Marcy J. Dinius offers the first in-depth analysis of Walker's argumentatively and typographically radical pamphlet and its direct influence on five Black and Indigenous activist authors, Maria W. Stewart, William Apess, William Paul Quinn, Henry Highland Garnet, and Paola Brown, and the pamphlets that they wrote and published in the United States and Canada between 1831 and 1851. She also examines how Walker's Appeal exerted a powerful and lasting influence on William Lloyd Garrison's Liberator and other publications by White antislavery activists. Dinius contends that scholars have neglected the positive, transnational, and transformative effects of Walker's Appeal on print-based political activism and literary and book history—that is, its primarily textual effects—due to an enduringly narrow focus on the violence that the pamphlet may have occasioned. She offers as an alternative a broadened view of activism and resistance that centers the works of Walker, Stewart, Apess, Quinn, Garnet, and Brown within an exploration of radical forms of authorship, publication, civic participation, and resistance. In doing so, she has written a major contribution to African American literary studies and the history of the book in antebellum America.
The Supreme Court Compendium
by Lee Epstein, Jeffrey A. Segal, Harold J. Spaeth, Thomas G. Walker
2015 · CQ Press
The Supreme Court Compendium provides historical and statistical information on the Supreme Court: its institutional development; caseload; decision trends; the background, nomination, and voting behavior of its justices; its relationship with public, governmental, and other judicial bodies; and its impact. With over 180 tables and figures, this new edition is intended to capture the full retrospective picture through the 2013-2014 term of the Roberts Court and the momentous decisions handed down within the last four years, including United States v. Windsor, National Federation of Independent Business v. Sebelius, and Shelby County v. Holder.
Made-in-Canada-Humour is an interdisciplinary survey and analysis of Canadian humour and humorists in the nineteenth and twentieth centuries. The book focuses on a variety of genres. It includes celebrated Canadian writers and poets with ironic and satiric perspectives; oral storytellers of tall tales in the country and the city; newspaper print humorists; representative national and regional cartoonists; and comedians of stage, radio and television. The humour gives voice to Canadian values and experiences, and consequently, techniques and styles of humour particular to the country. While a persistent comic theme has been joking at the expense of the United States, both countries have influenced one another’s humour. Canada’s unique humorous tradition also reflects its emergence from a colonial country to a postcolonial and postmodern nation with contemporary humour that addresses gender and racial issues.
Encyclopedia of Capital Punishment in the United States, 2d ed.
by Louis J. Palmer, Jr.
2008 · McFarland
This updated encyclopedia provides ready information on all aspects of capital punishment in America. It details virtually every capital punishment decision rendered by the United States Supreme Court through 2006, including more than 40 cases decided since publication of the first edition. Entries are also provided for each Supreme Court Justice who has ever rendered a capital punishment opinion. Entries on jurisdictions cite present-day death penalty laws and judicial structure state by state, with synopses of common and unique features. Also included are entries on significant U.S. capital prosecutions; legal principles and procedures in capital cases; organizations that support and oppose capital punishment; capital punishment's impact on persons of African, Asian, Hispanic, and Native American descent, on women, and on foreign nationals; and the methods of execution. Essential facts are also provided on capital punishment in more than 200 other nations. A wealth of statistical data is found throughout.
A history of the African American woman's experience in America and an analysis of the relationship between sexism and racism. When and Where I Enter is an eloquent testimonial to the profound influences of African American women on race and women's movements throughout American history. Drawing on speeches, diaries, letters, and other original documents, Paula Giddings powerfully portrays how black women have transcended racist and sexist attitudes—often confronting white feminists and black male leaders alike—to initiate social and political reform. From the open disregard for the rights of slave women to examples of today's more covert racism and sexism in civil rights and women's organizations, Giddings illuminates the black woman's crusade for equality in the process, she paints unforgettable portraits of black female leaders, such as antilynching activist Ida B. Wells, educator and FDR adviser Mary McCleod Bethune, and the heroic civil rights leader Fannie Lou Hamer, among others, who fought both overt and institutionalized oppression. Praise for When and Where I Enter "History at its best—clear, intelligent, moving. Paula Giddings has written a book as priceless as its subject." —Toni Morrison "A powerful book. Paula Giddings has shone a brilliant light on the lives of women left in the shadow of history." —Maya Angelou "A jarringly fresh interpretation . . . a labor of commitment and love." — New York Times Book Review