Books by "James A. Herne"
4 books found
Historical Dictionary of American Theater
by James Fisher, Felicia Hardison Londré
2017 · Bloomsbury Publishing USA
This book covers the history of theater as well as the literature of America from 1880-1930. The years covered by this volume features the rise of the popular stage in America from the years following the end of the Civil War to the Golden Age of Broadway, with an emphasis on its practitioners, including such diverse figures as William Gillette, Mrs. Fiske, George M. Cohan, Maude Adams, David Belasco, George Abbott, Clyde Fitch, Eugene O’Neill, Texas Guinan, Robert Edmond Jones, Jeanne Eagels, Susan Glaspell, The Adlers and the Barrymores, Tallulah Bankhead, Philip Barry, Maxwell Anderson, Mae West, Elmer Rice, Laurette Taylor, Eva Le Gallienne, and a score of others. Entries abound on plays of all kinds, from melodrama to the newly-embraced realistic style, ethnic works (Irish, Yiddish, etc.), and such diverse forms as vaudeville, circus, minstrel shows, temperance plays, etc. This second edition of Historical Dictionary of American Theater: Modernism covers the history of modernist American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 2,000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the American Theater in its greatest era.
A TIMELESS EPIC, A NEW CLASSIC FOR ALL AGES -- MERLIN "Once upon a time...no, no, that's not the way to start. You'll think this is a fairy tale. And it isn't". In the terrible years of tyrants and invaders, England's surviving pagans cry out for help to their deity -- and Mab, Queen of the Faery realms, creates for them a champion. Merlin. Half human, half Magic; raised in the love of his foster mother, Ambrosia, trained in sorcery by the gnome Frick, destined by Mab to lead England back to the Old Ways. But Mab, once beloved, has grown selfish and cruel, so Merlin turns against her. And their war of magic will change the world.
The war between Merlin and the pagan Mab, Queen of Magic, hurtles toward the final conflict. At last, a good King sits on England's throne. But Arthur leaves Camelot on a quest of shadows, while his nemesis, Mab's disciple Mordred, grows into a monster cruel enough to laugh at his own mother's murder. As Mab's growing evil drives away even her loyal servant, the gnome Frick, Merlin, too, is alone -- his true love, Nimue, lost to him forever. Arthur is betrayed, facing Mordred at the heart of an apocalyptic civil war. For when Arthur battles Mordred, when Merlin battles Mab, all hope will turn to ashes, all dreams will pass into legend. And not even Magic can survive.
The to Z of American Theater
by James Fisher, Felicia Hardison Londré
2009 · Bloomsbury Publishing PLC
"The period of 1880 to 1929 is the richest theater era in American history, certainly in the number of plays produced and significant artists, as well as in the centrality of theater in the lives of Americans. As the impact of European modernism gradually seeped into American theater during the 1880s and 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. Such playwrights as Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the golden age of American drama." "The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by modernism in Europe and by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays, music, playwrights, performers, producers, critics, architects, designers, and costumes." --Book Jacket.