6 books found
The thrilling true story of train-robbing revolutionaries and passengers who got more than they paid for in this Murder on the Orient Express–style adventure, set in China’s republican era. In May 1923, when Shanghai publisher and reporter John Benjamin Powell bought a first-class ticket for the Peking Express, he pictured an idyllic overnight journey on a brand-new train of unprecedented luxury—exactly what the advertisements promised. Seeing his fellow passengers, including mysterious Italian lawyer Giuseppe Musso, a confidante of Mussolini and lawyer for the opium trade, and American heiress Lucy Aldrich, sister-in-law of John D. Rockefeller Jr., he knew it would be an unforgettable trip. Charismatic bandit leader and populist rabble rouser Sun Mei-yao had also taken notice of the new train from Shanghai to Peking. On the night of Powell’s trip of a lifetime, Sun launched his plan to make a brazen political statement: he and a thousand fellow bandits descended on the train, capturing dozens of hostages. Aided by local proxy authorities, the humiliated Peking government soon furiously gave chase. At the bandits’ mountain stronghold, a five-week siege began. Brilliantly written, with new and original research, The Peking Express tells the incredible true story of a clash that shocked the world—becoming so celebrated it inspired several Hollywood movies—and set the course for China’s two-decade civil war.
James Watt's historically grounded account of Gothic fiction, first published in 1999, takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between various writers or works. Central to his argument about these works' writing and reception is a nuanced understanding of their political import: Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, a reconsideration of the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics. Watt concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and examines the process by which the Gothic came to be defined as a monolithic tradition, in a way that continues to exert a powerful hold.
by Indiana. Supreme Court, Horace E. Carter, Albert Gallatin Porter, Gordon Tanner, Benjamin Harrison, Michael Crawford Kerr, James Buckley Black, Augustus Newton Martin, Francis Marion Dice, John Worth Kern, John Lewis Griffiths, Sidney Romelee Moon, Charles Frederick Remy
1902
"With tables of the cases and principal matters" (varies).
Paradoxically, however, each of these "realistic" novelists, other than Sterne, failed in his attempt to erect character as a moral buffer against the suspense of a commercially driven world."--Jacket.