Books by "James L. Machor"
3 books found
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
It is suggested that because persons with access to a large surplus too often elect to spend extravagantly on their own desires and existing means of redistribution such as almsgiving and beneficence were failing to offer any lasting changes that might truly be received as "good news" by the poor, Jesus advocates eliminating personal wealth.
In this history of colonial literary production, James Mulholland argues that the East India Company was a central actor in the institutionalization of anglophone literary culture in India. as the EIC employed people from a variety of ethnic and national origin, it also expanded its cultural infrastructure, from presses and newspapers to poetry collections, letters, papermaking and selling, circulating libraries, an amateur theaters. Recovering this rich archive from a network of authors, reading publics, and corporate agents, Before the Raj shows how regional reading and writing reflected the knotty geopolitical situation and the comingling of Anglo and Indian cultures at a moment when the subcontinent's colonial future was not yet clear. The "translocal" links among Madras. Calcutta, Bombay, and settlements surrounding the Bay of Bengal demonstrate that anglophone literature adapted itself to geographical politics and social circumstances rather than being simply imitative of the works produced in the English metropole. Book jacket.