The Lolita Man

by Bill James

2012 · Murder Room

The second title in the popular Harpur and Iles series. Five teenage girls have been raped and murdered, and the criminal is still at large. Detective Chief Superintendent Colin Harpur, assigned to the case, is a tough hunter, but so is the 'Lolita man' watching the school playgrounds. Now it looks as if the daughter of Harpur's friend may be the latest victim. Virtually obsessed with the urgency of the matter, and hampered by the bitter police rivalry that is jeopardising the case, Harpur decides to go it alone.

Dispatches From Ruggles

by James R. Columbia

2015 · Lulu.com

600+ newspaper articles from the Historic Ruggles Camp Meeting in Lewis County, Kentucky, covering the period 1882-1922. Founded in 1873, Ruggles Camp & Retreat Center is the oldest United Methodist Camp in Kentucky. It provides a unique ministry to churches of all denominations in Northeastern Kentucky. The annual Ruggles Camp Meeting celebrates its 142nd anniversary in July 2015. 434 pages.

Country Music Annual 2002

by Charles K. Wolfe, James E. Akenson

Belligerent and evasive, Josef von Sternberg chose to ignore his illegitimate birth in Austria, deprived New York childhood, abusive father, and lack of education. The director who strutted onto the set in a turban, riding breeches, or a silk robe embraced his new persona as a world traveller, collected modern art, drove a Rolls Royce, and earned three times as much as the president. Von Sternberg traces the choices that carried the unique director from poverty in Vienna to power in Hollywood, including his eventual ostracism in Japan. Historian John Baxter reveals an artist few people knew: the aesthete who transformed Marlene Dietrich into an international star whose ambivalent sexuality and contradictory allure on-screen reflected an off-screen romance with the director. In his classic films The Blue Angel (1930), Morocco (1930), and Blonde Venus (1932), von Sternberg showcased his trademark visual style and revolutionary representations of sexuality. Drawing on firsthand conversations with von Sternberg and his son, Von Sternberg breaks past the classic Hollywood caricature to demystify and humanize this legendary director.