Books by "John F. Ricker"
12 books found
Bristol Past and Present: Ecclesiastical history [by Taylor
by James Fawckner Nicholls, John Taylor
1881
Constance Emilie Kent confessed, in April, 1865, to the murder of her brother, Francis Saville Kent, on June 29, 1860, and was tried at the Wiltshire assizes at Salisbury, July 21, 1865. The book includes an account of the corner's inquest at Road, July 2, 1860, and the magisterial examinations of Constance Kent at Road, July 27, 1860, and of Elizabeth Gough at Trowbridge, October 1-4, 1860.
Elder William Wentworth was living at Exeter, New Hampshire, by 1639, and at Wells, Maine, from 1642-1649. In 1649, he moved to Dover, New Hampshire, where he lived most of the rest of his life. He was the father of at least eleven children. He died at Dover ca. 1696/7. Descendants lived in New Hampshire, Maine, Massachusettes, New York, Vermont, Illinois, and elsewhere.
Their classic "Four Strong Winds" is widely considered to be one of the greatest songs of all time. Bob Dylan, Gordon Lightfoot, Neil Young, Leonard Cohen, and Joni Mitchell count among their admirers. Their music, including hits like "You Were On My Mind" and "Someday Soon," has been recorded by everyone from Dylan and Johnny Cash to Sarah McLachlan and The Tragically Hip. Their influence on music -- has endured over generations and surpassed genres. Yet until now, we have known little of the story behind the folk sensations Ian & Sylvia. In Four Strong Winds, John Einarson takes us back to the duo's early days in Toronto coffeehouses, to their experiences at the heart of the vibrant 1960s Greenwich Village folk scene, and beyond, as their personal and musical partnership continued to change and evolve. Based on Ian and Sylvia Tyson's own personal reflections as well as on the recollections of contemporaries, associates, and admirers, Four Strong Winds is the definitive account of this iconic musical duo and a window on a fascinating period in music history.
Stuffed with never-before-seen photography, stories, and race results, Bronco Racing: Ford’s Legendary 4x4 in Off-Road Competition is the most definitive publication ever on this marque’s racing success! In 1965, legendary builder and off-road aficionado Bill Stroppe was one of the first to test the new Bronco in off-road conditions. In March 1966, Stroppe introduced his racing Bronco to the press at the Bronco Roundup, where racing ace Ray Harvick pounded the Santa Ana river bottom with his tuned machine to win Top Eliminator at the Four-Wheel-Drive Grand Prix at Riverside, and the rest is history. Ford’s Bronco dominated the off-road racing scene and captured coveted titles in the Mint 400, Baja 500, and dirt racing’s crowning achievement: the Mexican 1000/Baja 1000. As the first-generation Bronco gave way to the second-generation machine (1978), racing Broncos continued to devour the competition until Ford pulled the plug on the rig in 1996. Complementing the legendary Broncos featured here, you will also hear the tales of their wranglers, including Parnelli Jones, Rod Hall, Larry Minor, Shelby Hall, James Garner, Don Barlow, James Duff, Bill Rush, and the aforementioned Ray Harvick and Bill Stroppe. The infamous mounts covered include Big Oly/Crazy Colt, Pony, Big Hoss, Crazy Horse, Stove, and Colt. Diligently penned by Bronco racing historian John Elkin, this book is the most comprehensive collection of historical accuracy ever authored on this subject. Pull your belts tight and wipe your goggles clean one last time with Bronco Racing: Ford’s Legendary 4x4 in Off-Road Competition!
Although increasingly appreciated in fine art and stamp collecting circles, artist postage stamps, or artistamps, are more likely to be traded between the people who create them than they are to be exhibited in commercial art galleries or read about in philatelic journals. Artistamps are part and parcel of the grassroots network known as Mail Art, an alternative art of creative long-distance communication that intuited the demand for cross-cultural exchange long before the Internet. Although seemingly rigid, the postage stamp format allows flexible approaches in painting, watercolor, offset, photography, photocopy, rubber-stamping, engraving, digitization and sculpture.
This book examines the relations and structures which enable and inhibit the sharing of knowledge within and across epistemic communities.