8 books found
Works on Scottish church history have sometimes been described as parochial, partisan, outdated or unscholarly. John McIntosh remedies this. He diverts attention from the Moderate Party in the eighteenth century, with its focus on the small group of Edinburgh literati, to the unexpectedly broad-based Popular Party, which opposed patronage in the Church of Scotland and included all shades of theological and political opinion. As well as delineating the evolving theological re-alignment which led eventually to the nineteenth-century evangelical revivals and contributed much to the Disruption of the Church of Scotland in 1843, John McIntosh sees the emergence of an intellectually confident grouping of ministers – orthodox Evangelicals but 'Enlightened' thinkers – as the most significant feature of the eighteenth-century Church. He also considers the responses of the Church of Scotland to the Scottish Enlightenment, to the American and French Revolutions and their associated ideas, and to the social implications of the Industrial Revolution. The Church of Scotland in this period touched the lives of city lawyers, urban merchants, lowland farmers and highland crofters alike. This book is therefore recommended reading for social and political historians as well as students of church history and theology.
Reprint of the original, first published in 1864.
As the story of the United States was recorded in pages written by white historians, early-nineteenth-century African American writers faced the task of piecing together a counterhistory: an approach to history that would present both the necessity of and
Poetry and the Idea of Progress, 1760–1790 explores under-examined relationships between poetry and historiography in the eighteenth century, deepening our understanding of the relationship between poetry and ideas of progress with sustained attention to aesthetic, historical, antiquarian and prosodic texts from the period. Its central contention is that the historians and theorists of the time did not merely instrumentalize verse in the construction of narratives of human progress, but that the aesthetics of verse had a kind of agency – it determined the character of – historical knowledge of the period. With numerous examples from poems and writing on poetics, Poetry and the Idea of Progress, 1760–1790 shows how the poetic line became a site at which one could make assertions about human development even as one experienced the expressive effects of metred language.