12 books found
The first full account of the medieval struggle for Jerusalem, from the seventh to the thirteenth century The history of Jerusalem is one of conflict, faith, and empire. Few cities have been attacked as often and as savagely. This was no less true in the Middle Ages. From the Persian sack in 614 through the bloody First Crusade and beyond, Jerusalem changed hands countless times. But despite these horrific acts of violence, its story during this period is also one of interfaith tolerance and accord. In this gripping history, John D. Hosler explores the great clashes and delicate settlements of medieval Jerusalem. He examines the city’s many sieges and considers the experiences of its inhabitants of all faiths. The city’s conquerors consistently acknowledged and reinforced the rights of those religious minorities over which they ruled. Deeply researched, this account reveals the way in which Jerusalem’s past has been constructed on partial histories—and urges us to reckon with the city’s broader historical contours.
Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby. John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency. In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.
Where Have All the Flowers Gone tells the tale of war soldiering and coming home—the story of the Vietnam War as seen by one soldier. Being a soldier in Vietnam left an indelible impression on John Guinane. A Vietnam Vet, John visited a hospital on June 4, 2012, for a checkup. A male nurse was taking his blood. He was about forty years old, a college graduate who had majored in Journalism. He asked John what he was doing with his life. John told him he was writing a book about Vietnam and had just finished a chapter on the My Lai Massacre. The young man had never heard of the My Lai massacre. This was the only incentive John needed to finish the tale about his life. Where Have All the Flowers Gone is an unbiased and concise summary of the Vietnam conflict, written in the hopes that a young reader would gain some knowledge and a better understanding of this tragic period in American history. Why would anybody wish to write about Vietnam? “Because as Santayana has warned: “Those who do not learn from history are condemned to repeat it.” And this nation—great as it is—¬cannot afford another Vietnam.
Covers American literature during the postwar period.
As the host of the immensely popular America's Most Wanted, John Walsh has been instrumental in the capture of nearly four hundred and fifty of this country's most dangeroues fugitives. However, few know the full story of the personal tragedy behind his public crusade: the 1981 abduction and murder of his six-year-old son, Adam. Here, for the first time, Walsh, his wife Revé, and their closest friends tell the wrenching tale of Adam's death -- and the infuriating conspiracy of events that have kept America's No. 1 crime fighter from obtaining justice and closure for himself and his family. "I've never really spoken about these things to anyone before, but I want to talk about Adam before he died. I want people to know just exactly how horrible it is to lose your child, how painful it is. But I also want to talk about how people can help you, and how you can help yourself. About how to come to terms with life when you think you're dying of a broken heart." -- John Walsh "I remember thinking, 'our son's been murdered, and now we've got to be the ones to do something about it' It was a sad thing for this country that the fight had to be led by two broken-down parents of a murdered child. But we had to, because no one else was going to do it." -- Revé Walsh