Books by "John Gabriel Stedman"
6 books found
Elsie Levy was born in the Jewish East End of London, came to Sydney with her family when she was 14, and joined the Communist Party of Australia when she was a young woman. In this book, her son explores her disaporic Jewish identity, both English and Australian, and in the process journeys into Jewish cultural histories. We meet important cultural figures such as Leonard Woolf, Freud, Schnitzler, Veza Canetti and Ida Rubinstein. This journey leads also to English anti-Semitism, including, shockingly, Bloomsbury. In turning to Communism and marrying out, Elsie Levy became one of history's undutiful daughters.
Legacies of Orientalism and Slavery in European Intellectual and Literary History
by John Docker
2024 · Cambridge Scholars Publishing
This book is an exercise in ethical criticism. It draws on and works with ideas and suggestions from two of its notable exponents, Wayne C. Booth and Martha C. Nussbaum, who propose that we regard cultural texts as “friends” with whom we can enjoy productive conversations that address contemporary challenges and developments, such as coercive control in gender relations, imperial and colonial thinking, and the centuries-long history of slavery. Throughout, attention is drawn to female agency in figures from Joan of Arc, Lady Mary Wortley Montagu, and Rebecca in Sir Walter Scott’s Ivanhoe through to Princess Diana. The book begins by looking closely at The Thousand and One Nights in terms of its wayward narratology, its displays of female power, and its significance for arguments over the relationship between the Enlightenment and the conceptual underpinnings of the Holocaust. Montesquieu in Persian Letters and Voltaire in Zadig destabilise any certainty that the Enlightenment was straightforward or easily definable. After evoking a slavery thread in chapters on Jane Austen’s Persuasion and Mansfield Park, Patricia Rozema’s film Mansfield Park, and Jamaica Kincaid’s Annie John, the book concludes with a radical re-reading of Middlemarch.
Dolman Travel Book of the Year 2012 Between the Orinoco and the Amazon lies a fabulous forested land, barely explored. Much of Guiana seldom sees sunlight, and new species are often tumbling out of the dark trees. Shunned by the conquistadors, it was left to others to carve into colonies. Guyana, Suriname and Guyane Française are what remain of their contest, and the 400 years of struggle that followed. Now, award-winning author John Gimlette sets off along this coast, gathering up its astonishing story. His journey takes him deep into the jungle, from the hideouts of runaway slaves to penal colonies, outlandish forts, remote Amerindian villages, a 'Little Paris' and a space port. He meets rebels, outlaws and sorcerers; follows the trail of a vicious Georgian revolt, and ponders a love-affair that changed the face of slavery. Here too is Jonestown, where, in 1978, over 900 Americans, members of Reverend Jones's cult, committed suicide. The last traces are almost gone now, as the forest closes in. Beautiful, bizarre and occasionally brutal, this is one of the great forgotten corners of the Earth: the Wild Coast.
This book presents two unpublished plays by John Thelwall (1764-1834), a friend of Coleridge, a radical lecturer for the London Corresponding Society acquitted of treason in 1794, and a prolific man of letters who produced novels, poetry, journalism, literary criticism, scientific and political essays, autobiography, and sociological analysis, in addition to drama. Both plays, libretti for the London theater, are especially relevant today as they use popular literary forms to discuss critically issues of race, empire, revolution, and sexuality. Incle and Yarico (1792) comically treats the important eighteenth-century intertextual fable of the English merchant, Inkle, who betrays the Indian maid, Yarico, an innocent and noble savage. The play is forthrightly abolitionist in its depiction of slavery. The Incas (1792) allegorizes the French Revolution and the English suppression of political dissent in depicting a confrontation between the Europeans and the New World. Drawing upon and extending the radical Enlightenment, Thelwall undermines the justifications for European empire. Frank Felsenstein is Reed D. University. Michael Scrivener is a Professor of English at Wayne State University.