Books by "John Louis Emil Dreyer"
8 books found
This new book reviews critically recent studies of fire control, and describes the essentials of naval gunnery in the dreadnought era.With a foreword by Professor Andrew Lambert, it shows how, in 1913, the Admiralty rejected Arthur Pollen's Argo system for the Dreyer fire control tables.
Biographical Encyclopedia of Scientists, Second Edition - 2 Volume Set
by John Daintith
1994 · CRC Press
The Biographical Encyclopedia of Scientists: Second Edition, 2 Volume Set examines the lives and careers of noteworthy scientists and thinkers through the ages, illuminating the progress of science and its impact on society in general. From Aristotle and the beginnings of objective observations, to twentieth century giants, Freud and Hawking, this extensive in-depth reference explores the men and women who have shaped our ideas and the world in which we live today. Extensively revised and updated, this second edition comprises two substantial illustrated volumes that contain over 2,000 biographical entries and over half a million words. It looks and reads like a "Who's Who" of the world of scientific thought, providing an in-depth listing of prominent historical as well as modern figures of science and medicine. The main biographical entries are arranged alphabetically and summarize the individual's life and contribution to science. The volumes also include a chronology of the history of science from 590 BC to the present, a subject index, and a bibliography of key publications in the history of scientific thought. For anyone researching the world of scientific personalities and ideas, this unique reference work will be indispensable.
A New General Catalogue of Nebulae and Clusters of Stars, Being the Catalogue of the Late Sir John F.W. Herschel
by Sir John Frederick William Herschel
1888
Casual stargazers are familiar with many classical figures and asterisms composed of bright stars (e.g., Orion and the Plough), but this book reveals not just the constellations of today but those of yesteryear. The history of the human identification of constellations among the stars is explored through the stories of some influential celestial cartographers whose works determined whether new inventions survived. The history of how the modern set of 88 constellations was defined by the professional astronomy community is recounted, explaining how the constellations described in the book became permanently “extinct.” Dr. Barentine addresses why some figures were tried and discarded, and also directs observers to how those figures can still be picked out on a clear night if one knows where to look. These lost constellations are described in great detail using historical references, enabling observers to rediscover them on their own surveys of the sky. Treatment of the obsolete constellations as extant features of the night sky adds a new dimension to stargazing that merges history with the accessibility and immediacy of the night sky.
In Drama and the Death of God, John Parker argues that the secularity often associated with Shakespeare inspired a variety of performances going back to antiquity. Scripture presupposes, even needs, the existence of a worldly sphere inimical to faith: known as the saeculum, this finite domain of appetite and unbelief invited both condemnation and celebration throughout medieval Christendom, as exemplified by the songs and plays of the Carmina Burana. After the tenth century, Christians routinely impersonated unbelievers in music dramas connected to the high holidays so that they might question biblical truths, especially the authenticity of miracles. The church generated by this means a vision of the godless world that modernity stepped into. After the English Reformation, when Europe's first commercial theaters arose on ruined monastic estates, players continued to showcase how divine intervention could be staged by humans in the absence of God. King Lear in particular explores the ancient proposition that the saeculum holds no inherent meaning and is capable of generating only pseudomiraculous spectacles to salve the ache of existence.