5 books found
Max Stirner (1806-1856) is recognized in the history of political thought because of his egoist classic The Ego and Its Own. Stirner was a student of Hegel, and a critic of the Young Hegelians and the emerging forms of socialist and communist thought in the 1840s. Max Stirner's Dialectical Egoism: A New Interpretation examines Stirner's thought as a critique of modernity, by which he meant the domination of culture and politics by humanist ideology. In Stirner's view, 'humanity' is the supreme being of modernity and 'humanism' is the prevailing legitimation of social and political domination. Welsh traces Stirner's thought from his early essays to The Ego and Its Own and Stirner's responses to his critics. He also examines how Benjamin Tucker, James L. Walker, and Dora Marsden applied Stirner's dialectical egoism to the analysis of (a) the transformations of capitalism, (b) culture, ethics, and mass psychology, and (c) feminism, socialism, and communism. All three viewed Stirner as a champion of individuality against the collectivizing and homogenizing forces of the modern world. Welsh also takes great care to dissociate Stirner's thought from that of the other great egoist critic of modernity, Friedrich Nietzsche. He argues that the similarities in the dissidence of Stirner and Nietzsche are superficial. The book concludes with an interpretation of Stirner's thought as a form of dialectical egoism that includes (a) a multi-tiered analysis of culture, society, and individuality; (b) the basic principles of Stirner's view of the relationship between individuals and social organization; and (c) the forms of critique he employs. Stirner's critique of modernity is a significant contribution to the growing literature on libertarianism, dialectical analysis, and post-modernism.
Protesting with Rosa Parks details the history of the intersections between Black activism and travel over a span of one hundred and ninety years. John K. Bollard recounts the experiences of more than ninety-five civil rights leaders and private citizens who protested against segregation on stagecoaches, trains, streetcars, steamboats, buses, planes, cars, and even elevators--people like David Ruggles, John Lewis, Sandra Bland, and Tyre Nichols. While recognizing the historical significance of Rosa Parks, this book reveals her refusal to move as part of a long tradition of protest that strives to guarantee everyone the right to ride on our collective journey towards equality.
by Mary Shaw Graham Padgelek, John B. Murry
2000 · Mercer University Press
"How an illiterate farm worker in rural Georgia rose to become an artist of international acclaim is the story of Mary Padgelek's In the Hand of the Holy Spirit: The Visionary Art of J.B. Murray. Padgelek tells Murray's fascinating story and analyzes his art and spiritual message. Throughout history the visionary artist has sought to offer a glimpse of the eternal in the midst of a temporal world. This book unveils the symbols, impetus, and meaning of Murray's art. Padgelek shows how this fascinating folk artist expressed his perceptions of eternity and offered a redemptive metaphor for spiritual healing, regeneration, and ultimate salvation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved