Barrio Nerds

by Juan F. Carrillo

2016 · Springer

"When Pulitzer Prize nominated author Richard Rodriguez published his autobiography, Hunger of Memory: The Education of Richard Rodriguez in 1982, he received much criticism due to his views on issues such as assimilation, bilingual education, and affirmative action. Polemically, since Rodriguez’s publication, a book length revisiting of some of his ideas is for the most part non-existent. Inspired by Rodriguez’s work, Barrio Nerds: Latino Males, Schooling, and the Beautiful Struggle presents a compelling window into the schooling trajectories of Latino males, while also providing critical and alternative views. These portraits of working-class students and academics that achieved academic success move beyond clean victory narratives and thus complicate our notions of “success” and “rising up.” Blending versus separating the exploration of street kid/school kid identities, we get a glimpse into the merging and collision of multiple cultural worlds in ways that are liberating and often painful and full of ambivalence. Additionally, we get provocative takes on giftedness, the philosophical and political dimensions of “home,” and masculinities. Ultimately, Barrio Nerds: Latino Males, Schooling, and the Beautiful Struggle is a reminder of how academic achievement is often embedded in gain and in loss and it is a thoughtful meditation on how many Latino males of working-class origins do not reject the past, but instead use this precious knowledge to holistically live out the present."

Chicano Poetry

by Juan Bruce-Novoa

2014 · University of Texas Press

Alurista. Gary Soto. Bernice Zamora. José Montoya. These names, luminous to some, remain unknown to those who have not yet discovered the rich variety of late twentieth century Chicano poetry. With the flowering of the Chicano Movement in the mid-1960s came not only increased political awareness for many Mexican Americans but also a body of fine creative writing. Now the major voices of Chicano literature have begun to reach the wider audience they deserve. Bruce-Novoa's Chicano Poetry: A Response to Chaos—the first booklength critical study of Chicano poetry—examines the most significant works of a body of literature that has grown dramatically in size and importance in less than two decades. Here are insightful new readings of the major writings of Abelardo Delgado, Sergio Elizondo, Rodolfo Gonzales, Miguel Méndez, J. L. Navarro, Raúl Salinas, Ricardo Sánchez, and Tino Villanueva, as well as Alurista, Soto, Zamora, and Montoya. Close textual analyses of such important works as I Am Joaquín, Restless Serpents, and Floricanto en Aztlán enrich and deepen our understanding of their imagery, themes, structure, and meaning. Bruce-Novoa argues that Chicano poetry responds to the threat of loss, whether of hero, barrio, family, or tradition. Thus José Montoya elegizes a dead Pachuco in "El Louie," and Raúl Salinas laments the disappearance of a barrio in "A Trip through the Mind Jail." But this elegy at the heart of Chicano poetry is both lament and celebration, for it expresses the group's continuing vitality and strength. Common to twentieth-century poetry is the preoccupation with time, death, and alienation, and the work of Chicano poets—sometimes seen as outside the traditions of world literature—shares these concerns. Bruce-Novoa brilliantly defines both the unique and the universal in Chicano poetry.

The Hollywood Kid

by Oscar Martinez, Juan Martinez

2019 · Verso Books

The compelling story of the life and death of a Salvadoran gangster As a boy, Miguel Ángel Tobar’s small town in El Salvador was torn apart by guerrillas and US- backed death squads. Still a preteen, he joined a different kind of death squad—the Hollywood Locos Salvatrucha—a clique of the Mara Salvatruchas, better known as MS-13. This international criminal organization began on the streets of Los Angeles in the 1980s, as Salvadoran children, whose families had fled their country’s civil war, banded together to defend themselves from LA gangs. Denied refugee status, the Salvadorans found themselves pushed into the shadows and besieged by violence, and MS-13 itself mutated into a gang. When large-scale US deportations began, violence was exported from the United States to El Salvador, helping make it one of the world’s deadliest countries and in turn propelling new waves of refugees northward. The Salvadoran journalist Óscar Martinez and his anthropologist brother Juan José Martínez got to know the Hollywood Kid when he informed on MS-13. In his hideaway shack, he recounted a life of killing—a death toll of more than fifty rival gang members—until his own murder ended the story. Vivid and violent, The Hollywood Kid brings a brutal world to life, illustrating the geopolitical forces propelling a country toward ever more vicious extremes.

The Hollywood Kid

by Juan Martinez, Óscar Martínez

2019 · Verso Books

As a boy, Miguel ngel Tobar fled a small town in El Salvador torn apart by warring guerillas and US-backed death squads. As a teen in Los Angeles, he fought discrimination and beatings by joining a gang--MS-13. By the time the US deported him to San Salvador, The Hollywood Kid joined a wave of thousands of US-bred gangsters, whose violence--in concert with corrupt offiicals--have in turn helped propel new waves of refugees. The incomparable Salvadoran journalist Oscar Martinez got to know the Hollywood Kid and met with him as he first turned on MS-13, killing gang members, and then in turn was assassinated by other gang members. In intensely vivid scenes, Martinez and his anthropologist brother Juan tell the story of a violent life and death--and of the geopolitical forces that propelled a country into becoming one of the most violent on earth.