Books by "L. anette Hill"
3 books found
Fiesta San Antonio began in 1891 began as a parade in honor of the battles of the Alamo and San Jacinto and has evolved into an annual Mardi Gras-like festival attended by four million with more than 100 cultural events raising money for nonprofit organizations in San Antonio, Texas. At Fiesta's start, the events were socially exclusive, one of the most prominent being the Coronation of the Queen of the Order of the Alamo, a lavish, debutante pageant crowning a queen of the festival. Cornyation was created in 1951 by members of the San Antonio's theater community as a satire, mocking the elite with their own flamboyant duchesses, empresses, and queens, accompanied by men in drag and local political figures in outrageous costume. The stage show quickly transformed into a controversial parody of local and national politics and culture. Cornyation is the first history of this major Fiesta San Antonio event, tracing how it has become one of Texas’s iconic and longest-running LGBT events, and one of the Southwest's first large-scale fundraisers for HIV-AIDS research, raising more than $2.5 million since 1990.
Deborah L. Jaramillo investigates cable news' presentation of the Iraq War in relation to "high concept" filmmaking. High concept films can be reduced to single-sentence summaries and feature pre-sold elements; they were considered financially safe projects that would sustain consumer interest beyond their initial theatrical run. Using high concept as a framework for the analysis of the 2003 coverage of the Iraq War -- paying close attention to how Fox News and CNN packaged and promoted the U.S. invasion of Iraq -- Ugly War, Pretty Package offers a new paradigm for understanding how television news reporting shapes our perceptions of events.
This book traces how the American freak show has re-emerged in new visual forms in the 21st century. It explores the ways in which moving image media transmits and contextualizes, reinterprets and appropriates, the freak show model into a “new American freak show.” It investigates how new freak representations introduce narratives about sex, gender, and cultural perceptions of people with disabilities. The chapters examine such representations found in horror films, including a prolonged look at Freaks (1932) and The Texas Chainsaw Massacre (1974), documentaries such as Murderball (2005) and TLC’s Push Girls (2012-2013), disability pornography including the pornographic documentary Sick: The Life and Death of Bob Flanagan Supermasochist (1997), and the music icons Marilyn Manson and Lady Gaga in their portrayals of disability and freakishness. Through this book we learn that the visual culture that has emerged takes the place of the traditional freak show but opens new channels of interpretation and identification through its use of mediated images as well as the altered freak-norm relationship that it has fostered. In its illumination of the relationship between normal and freakish bodies through different media, this book will appeal to students and academics interested in disability studies, gender studies, film theory, critical race theory, and cultural studies.