Books by "Maria Theresa (Empress of Austria)"
3 books found
The influence of the salons of Paris on the thought and culture of the eighteenth century would be difficult to overstate. They were both intellectual powerhouses and also assemblies where the latest and most extreme fashion was displayed. 'Young gallants...wearing silk waistcoats embroidered with Chinese pagodas, making love to ladies reclining negligently against the cushions...or accepting small cups of chocolate from the hands of Negro pages', thus Harold Nicolson describes the drawings of the time in his book "The Age of Reason". These meeting places for the vanguard of society were presided over by a succession of brilliantly clever women, the salonieres, and the most brilliant and clever of all of them was Madame de Stael. Although she died at the age of 51 she filled her life to the brim, and enjoyed a hugely influential role among the great names of the day. Born Germaine Necker, in Paris on 22 April 1766, her father was a powerful banker and her mother a Swiss pastor's daughter who never got over her good fortune in marrying a rich man. In 1786 Germaine was married to a secretary in the Swedish embassy called de Stael, but although she thought him 'a perfect gentleman' she also found him dull and clumsy. She began to take lovers - the Vicomte de Narbonne and possibly Talleyrand - and then Benjamin Constant, in whom she at last met her intellectual equal. In 1806 her novel "Delphine" was published. It was an instant success and praised by Goethe and Byron, among others. Her salon thronged with glittering visitors including The Tsar, Talleyrand,and Wellington. Maria Fairweather gives an entrancing account of this vanished world, so merciless to outsiders, but for those of the inner circle incomparably glamorous and exciting.
Franz Anton Mesmer's concept of animal magnetism exercised a profound influence on key European and American thinkers. Mesmer, who saw in his discovery the secret of health, had hoped to recover the harmony between man and nature by harnessing the power of magnetic fluids. In calling attention to the existence of a second self that surfaces in the hypnotic trance, Mesmer made his real contribution and took the first, decisive steps on the road leading to the unconscious. While most critical studies of mesmerism originate in the history of science or medicine, Maria Tatar's book takes a fresh approach by tracing the impact of mesmerism on literature. The author launches her account with a portrait of Mesmer and places his views in the context of eighteenth-century thought. She then explores the significance of Mesmer's ideas and studies their influence on nineteenth-century German, French, and American writers. In conclusion, she examines the ways in which modern authors absorbed and reshaped the mesmerist legacy bequeathed to them by earlier generations. Whether discussing the electrical energy vibrating through Kleist's dramas, the electrical heat radiating from Hoffmann's figures, the streams of magnetic fluid coursing through Balzac's novels, or the magnetic chain of humanity linking Hawthorne's characters, Professor Tatar recaptures the meaning of ideas, motifs, and metaphors often overlooked by literary critics. Her study illuminates, in a remarkable way, the subtle connections between science, psychology, and literature. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Pietre dure (Italian for "hard stone") is mosaic design made from semiprecious stones. This comprehensive survey looks at the uses of decorative stonework and the variety of techniques used to produce it from prehistory to the present day, focusing especially on the period from its rebirth in sixteenth-century Rome through the developments of the nineteenth century. The history of pietre dure in the modern era began in Rome in the 1500s where, thanks to patrons' commissions, new techniques and new types of designs appeared, intended for interior and furniture decoration. These innovations spread throughout Italy in the seventeenth century, producing the most spectacular period in the history of pietre dure in Florence under the Medici. In the eighteenth century numerous royal workshops based on the Florentine model appeared across Europe, under the patronage of the Hapsburgs in Prague, Louis XIV in France, and Frederick II in Prussia. Annamaria Giusti's richly illustrated book captures the beauty and craftsmanship of this ancient technique for "painting in stone."