Books by "Mary Beth Rose"
7 books found
Despite trials that threaten their path forward, hope dawns for a future filled with love. Kat Wadsworth and Sebastian Jones never imagined their lives would entwine so closely. Forced to flee on a wagon train from a vengeful uncle and an unknown gunman, they live in a hidden canyon with the family that rescued them. But as the days turn into months, they each have separate reasons for wanting to move back to society, and the best way to the independence they desperately crave might be through a marriage of convenience. However, settling into their homestead in Cheyenne, Wyoming, reveals a different reality for Kat. Her new husband becomes consumed by his inventions, leaving her feeling lonely and isolated. And just when they think they've left the danger behind, a mysterious attacker lurks in the shadows, threatening the new life they've built. Together, they must confront the perils from their pasts to forge a future with hope and the prospect of love.
Queer Virgins and Virgin Queans looks at the early modern theater through the lens of obscure and obscene puns--especially "queer" puns, those that carry homoerotic resonances and speak to homoerotic desires. In particular, it resurrects the operations of a small boys' company known as the first Whitefriars, which performed for about nine months in 1607-8. As a group, the plays performed by this company exhibit an unusually dense array of bawdy puns, whose eroticism is extremely interesting, given that the focus of eros is the male body. The laughter recoverable from Whitefriars plays harnesses the pun's inherent doubleness to homoerotic pleasure; in these plays, 'the bawdy hand of the dial' is always 'on the pricke of noone'. Mary Bly's analysis depends on the nature of punning itself, and the inflections of language and the creativity that marked Whitefriars punsters, with special emphasis on the effect of puns on an audience. What happens to audience members who sit shoulder to shoulder and laugh at homoerotic quibbles? What is the effect of catching a queer pun's double meaning in a group rather than while alone? How can we characterize those auditors, within the convoluted, if fascinating, theories of erotic identity offered by queer theorists?
The complaint of Catherine Morland in Jane Austen's Northanger Abbey, that history has 'hardly any women at all' is not an uncommon one. Yet there is evidence to suggest that women have engaged in historical writing since ancient times. This study traces the history of women's historical writing, reclaiming the lives of individual women historians, recovering women's historical writings from the past and focusing on how gender has shaped the genre of history. Mary Spongberg brings together for the first time an extensive survey of the progress of women's historical writing from the Renaissance to the present, demonstrating the continuities between women's historical writings in the past and the development of a distinctly woman-centred historiography. Writing Women's History since the Renaissance also examines the relationship between women's history and the development of feminist consciousness, suggesting that the study of history has alerted women to their unequal status and enabled them to use history to achieve women's rights. Whether feminist or anti-feminist, women who have had their historical writings published have served as role models for women seeking a voice in the public sphere and have been instrumental in encouraging the growth of a feminist discourse.
In this exploration of crisis in Counter-Reformation Spain, Mary Elizabeth Perry reveals the significance of gender for social order by portraying the lives of women who lived on the margins of respectability--prostitutes, healers, visionaries, and other deviants who provoked the concern of a growing central government linked closely to the church. Focusing on Seville, the commercial capital of Habsburg Spain, Perry uses rich archival sources to document the economic and spiritual activity of women, and efforts made by civil and church authorities to control this activity, during a period of local economic change and religious turmoil. In analyzing such sources as art and literature from the period, women's writings, Inquisition records, and laws and regulations, Perry finds that social definitions of what it meant to be a woman or a man persisted due to their sanctification by religious ideas and their adaptation into political order. She describes the tension between gender ideals and actual conditions in women's lives, and shows how some women subverted the gender order by using a surprisingly wide variety of intellectual and physical strategies.
Beth and Arthur Canley-Smith were married in their teens but their marriage has not grown with them. In fact, their differences have led Art to desert Beth and their two children. Now confined to a wheelchair after a disabling accident, Art believes he has killed Beth's love for him for good. Only reluctantly he agrees to let Beth take him home to be with the children once again. Day after uncertain day, it's clear Art and Beth are changing, but is their love for each other strong and real? Moreover, does their marriage have a chance to survive?
Separately paged supplements called "The Goodwin families in America, " by J.S. Goodwin, were issued with Oct. 1897 (v.6, no.2) and Oct. 1899 (v.8, no.2).