6 books found
by L. Michael White, G. Anthony Keddie
2018 · SBL Press
The first Greek text of the Epistle of Aristeas published in more than a century The Greek text Epistle of Aristeas is a Jewish work of the late Hellenistic period that recounts the origins of the Septuagint. Long recognized as a literary fiction, the Epistle of Aristeas has been variously dated from the third century BCE to the first century CE. As a result, its epistolary features, and especially those in which the putative author, Aristeas, addresses his brother and correspondent, Philocrates, have largely been ignored. In light of more recent scholarship on epistolary literature in the Greco-Roman world, however, this volume presents for the first time a complete Greek text and English Translation with introduction, notes, and commentary of the Epistle of Aristeas with key testimonia from Philo, Josephus, and Eusebius, as well as other related examples of Jewish fictional letters from the Apocrypha and Pseudepigrapha. Features Relevant excerpts from Eupolemus, 2 Maccabees, 3 Maccabees, and the Greek Additions to Esther with translations and introductions A critical introduction to ancient Greek letter-writing An outline of epistolary features in the text
Explaining the Cosmos analyses the philosophical and theological writings relating to the creation and eternity of the world of three Gazan thinkers, Aeneas, Zacharias and Procopius. It sheds light on Neoplatonic and Christian debates, and maps distinctive cultural characteristics of Gaza, including its schools and monasteries, in Late Antiquity.
The Middle Ages provide us with one of the richest repositories of art in the West. Yet the rise in the production of art made for and by Jews—especially in the form of illuminated manuscripts—is often neglected in general surveys or viewed as a mere emulation of Christian art during this period. In People of the Image, Marc Michael Epstein demonstrates how medieval Jews transformed their visual art into a vital site of critical commentary. Through bold speculation and radical interpretation, Epstein considers how viewers might have empathized with depicted emotions, how they envisioned the relationship between the monstrous and the human, and how they could effectively perpetrate subversive acts merely by anticipating what might occur next in a given image were it to be set in motion. Examining these artworks and imagining the circumstances of their production and reception, Epstein uncovers otherwise inaccessible social, political, and theological perceptions among Europe’s major medieval minority. He goes on to illuminate the afterlives of medieval Jewish art in its reimaginings by postmodern Jews struggling to establish a conceptual as well as a political space for themselves as a minority in majority Christian society. Bringing together diverse currents from various fields and bodies of literature, People of the Image reveals how medieval Jews understood themselves, the world, and God. Provocative and engagingly written, the book will appeal to audiences across medieval studies, cultural studies, art history, and Jewish studies.
In Imitations of Infinity, Michael A. Motia places Gregory of Nyssa at the center of a world filled with Platonic philosophers, rhetorical teachers, and early Christian leaders all competing over what and how to imitate. Their debates demanded the attentions of people at every level of the Roman Empire.
In this work, Michael Marmur employs the structure of the Hebrew alphabet to set out elements of an emerging Jewish theology, presenting a case for the urgent relevance of Jewish life at a time of deepening rupture and accelerating change. He presents core components of a theory and practice of contemporary Judaism. The Hebrew alphabet has long beguiled and preoccupied Biblical authors and liturgical poets, rationalists and mystics, conservatives and radicals. It has served as a locus of theological speculation, an engine of creativity and a recurrent motif throughout the cycle of life, from childhood instruction to graveside recitation. For each letter of the Hebrew alphabet, Marmur proposes a concept, gleaned from theology, philosophy, ritual, politics, community and other fields. Readers are invited to combine and deploy them in imagining a Judaism of tomorrow. This is an open access book.
Signs of Virginity examines virginity testing in Judaism and early Christianity, and the relationship of these tests to male sexual violence. Rosenberg points to two authors--Augustine of Hippo and the rabbinic collective that produced the Babylonian Talmud--who construct alternative models that, if taken seriously, would utterly reverse cultural ideals of masculinity, encouraging men to be gentle, rather than brutal, in their sexual behavior.