5 books found
by Andreu Mas-Colell, Michael Dennis Whinston, Jerry R. Green
1995 · Oxford University Press
Microeconomic Theory is a comprehensive textbook covering all of the topics taught in the graduate-level, two-semester course in microeconomic theory required of all graduate students in economics. It combines the results of the authors' experience of teaching microeconomics at Harvard and has been fully classroom tested.KEY FEATURESBalanced and in-depth analysis of the essentials of microeconomics.Covers topics such as noncooperative game theory, information economics, mechanism design and general equilibrium under uncertainty.'Self-sufficient' sections allow lecturers to 'mix and match' topics relevant to their courses.Learning aids include extensive exercises within each chapter and an appendix providing a guide to terminology.This title is available as an eBook. Visit VitalSource for more information or to purchase.
We live in a world surrounded by all the stuff that education is supposed to be about: machines, bodies, languages, cities, votes, mountains, energy, movement, plays, food, liquids, collisions, protests, stones, windows. But the way we've been taught often excludes all sorts of practical ways of finding out about ideas, knowledge and culture - anything from cooking to fixing loo cisterns, from dance to model making, from collecting leaves to playing 'Who am I?'. The great thing is that you really can use everything around you to learn more. Learning should be much more fun and former children's laureate, million-selling author, broadcaster, father of five and all-round national treasure, Michael Rosen wants to show you how. Forget lists, passing tests and ticking boxes, the world outside the classroom can't be contained within the limits of any kind of curriculum - and it's all the better for it. Long car journeys, poems about farting, cake baking, even shouting at the TV can teach lessons that will last a lifetime. Packed with enough practical tips, stories and games to inspire a legion of anxious parents and bored children, Good Ideas shows that the best kind of education really does start at home.
Tell Me Something I Don’t Know is a collection of original dialogues in epistemology, suitable for student readers but also of interest to experts. Familiar problems, theories, and arguments are explored: second-order knowledge, epistemic closure, the preface paradox, skepticism, pragmatic encroachment, the Gettier problem, and more. New ideas on each of these issues are also offered, defended, and critiqued, often in humorous and entertaining ways.
For two decades after rock music emerged in the 1940s, the American Federation of Musicians (AFM), the oldest and largest labor union representing professional musicians in the United States and Canada, refused to recognize rock 'n' roll as legitimate music or its performers as skilled musicians. The AFM never actively organized rock 'n' roll musicians, although recruiting them would have been in the union's economic interest. In Tell Tchaikovsky the News, Michael James Roberts argues that the reasons that the union failed to act in its own interest lay in its culture, in the opinions of its leadership and elite rank-and-file members. Explaining the bias of union members—most of whom were classical or jazz music performers—against rock music and musicians, Roberts addresses issues of race and class, questions of what qualified someone as a skilled or professional musician, and the threat that records, central to rock 'n' roll, posed to AFM members, who had long privileged live performances. Roberts contends that by rejecting rock 'n' rollers for two decades, the once formidable American Federation of Musicians lost their clout within the music industry.
No one is more surprised than Philip Nason when an uprising occurs within the walls of a New York rehabilitation hospital. Moments after Phil, director of recreation, hears that a group of mostly paraplegic patients have staged a rebellion, he learns that the hospitals director is furious and thinks the patients were inspired by Phils current-events reading program. Now with his job in jeopardy, Phil is torn between his desire to empower his patients and pleasing hospital bureaucrats. After the rebel patients beg Phil to create an activity program to help them win the respect of hospital staff and improve their lives, he eventually complies. When Phil acts on a hunch and pops the end of a paint brush into young quadriplegic Clayton Thomass mouth, Clayton begins creating beautiful paintings inspired by the Bible. Phil, spurred by his artistic goals, begins developing a program to showcase the patients artwork. Now all he has to do is convince the hospitals reluctant administrators that unleashing their patients creativity is a good thing. In this inspiring story, hundreds of chronically ill patients realize the power of art while rising up against the stifling restrictions of institutional bureaucracywith help from their determined recreational director.