Treasures of the National Gallery of Canada

by National Gallery of Canada. Ottawa, National Gallery of Canada, Musée des beaux-arts du Canada (Ottawa, Ont.)., David Franklin

2003 · Yale University Press

This handsomely produced volume, featuring 128 full-page color illustrations, showcases a wide-ranging selection of the most outstanding works from Canada's largest art museum. Each of the pieces chosen for inclusion is introduced by a curatorial specialist, who sets it in its historical context and comments on its meaning and its place in the artist's oeuvre. Pride of place is given to the Gallery's unparalleled holdings in Canadian art, but European art--paintings, sculptures, prints, and drawings--is equally well represented. Masterworks from the Inuit art collection are also included, as well as examples from the Gallery's small but distinguished Asian collection. In recent decades, photographs have become an increasingly important part of the Gallery's collecting mandate, both through its own collection and that of its affiliate the Canadian Museum of Contemporary Photography, and this emphasis too is amply reflected here.

Raphael to Renoir

by Stijn Alsteens, Metropolitan Museum of Art (New York, N.Y.), National Gallery of Scotland

2009 · Metropolitan Museum of Art

"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.

Divine Images, Human Visions

by Pratapaditya Pal, National Gallery of Canada, Bayeux Arts (Firm)

1997 · Bayeux Arts, Incorporated

Over 150 exquisite color illustrations and text make this account of one of North America's finest South Asian art collections an invaluable guide.

Joe Fafard

by Terrence Heath, National Gallery of Canada

2007 · Douglas & McIntyre

Few contemporary artists have worked in the sheer variety of styles that Joe Fafard has perfected -- and won such acclaim for their efforts. Born in 1942 in a remote farming hamlet in Saskatchewan, the idiosyncratic artist early on chose a radically different direction from the prevailing modernistic aesthetic of the early 1960s, boldly exploring new media and new imagery. Gaining fame initially as a ceramic sculptor of oversize animals and people, in the early 1980s he turned to laser-steel and bronze work, along the way adding painting to his repertoire. This dual biography and critical study features a wealth of illustrations from Fafard's long career, generously sampling both the monumental sculptures done as public and private commissions, and the more intimate studies of people and prairie that reside in museums worldwide and in the private collections of Oprah Winfrey, Bill Cosby, and others.