Books by "Prof. Judy Fentress-Williams"
2 books found
The many voices in scripture form a dialogue with readers, which produce theological truths that are larger than the individual parts. This introduction is informed by both literary theory and theology. It groups sections of the whole Bible together by genre. Each section identifies and describes the genre (such as historiography, poetry, prophecy, gospel, letter, apocalypse), and then moves into a discussion about the literary characteristics and theological insights. The words of scripture not only come a long way to find us but like a poem must be read with attention. Poetry doesn’t yield meaning easily, and it doesn’t promise to make sense. We know to look past the words on the page and find the images, tropes, sounds, and metaphors that are meaning-full. This type of writing invites, rather demands, the imagination. We must accept that we will only get so close, but that this is close enough. Our imagination spans the gaps left by sparse language and incomplete narratives. We return again and again, with more information and perhaps more experiences. The words are the same, but we are not; and for that reason there are always new discoveries. “At last, an introduction that students will enjoy reading, because it is at once engaging, informative, and eye-opening, as well as completely lucid. Fentress Williams shows how many books of the Bible reflect the experience of marginalized persons and communities in precarious situations, and therefore how they speak in ways both realistic and encouraging to contemporary readers. Do your students and yourself a favor: adopt this text and get ready for serious conversation about ancient texts that never go out of date.” – Ellen F. Davis, Amos Ragan Kearns Distinguished Professor of Bible and Practical Theology, Duke Divinity School
From the Introduction: Described by Goethe as “the most charming little whole” of antiquity, Ruth has long been recognized for its literary quality. This beautifully composed narrative continues to attract readers across generations and boundaries of gender, class and ethnicity. In fact, the beauty of the book often distracts from the practical nature of the narrative. For all of its appeal, Ruth is, after all a story about family and survival. The marriage between Ruth and Boaz is a levirate marriage. The goal of this practice is to ensure the continuation and stability of the family line. Thus this “charming little whole” has as its subject preservation of life in the face of death and upholding memory to ward off the loss of identity. This story of survival is short; it consists of four chapters with elements of loss and recovery; famine and harvest, barrenness and fruitfulness, life and death. These elements afford the book a broad appeal as it speaks to various stages and seasons of life, all the while upholding the power of faithfulness against an ever-changing backdrop. Named after one of the major characters, the book of Ruth tells the story of Naomi of Bethlehem and her family “in the days when the judges ruled.” So much of what happens in Ruth happens where no one can see. Ruth binds herself to Naomi in the “in between place” of Moab and Judah. No one is there to witness it. Similarly, Ruth asks Boaz for redemption in the middle of the night when we presume everyone else is asleep. These events allow for the inclusion of Ruth as Boaz’s people, first as a gleaner and then as a wife. The pattern of what happens away from our observation and then bursts forth where we can see it draws on the images of planting and harvest, conception and birth. On a theological level, it suggests that even in the famine times, God is planting seed, preparing for the next harvest, even when we cannot see it. We must assume then, that whatever we know or recognize about the work of God is only a small piece of the larger whole. We cannot know it all. Chapters: Introduction A Dialogue of Determination Terms of Endearment A Cloaked Covenant A Dialogue of Identity Conclusion