12 books found
by R. Istituto veneto di scienze, lettere ed arti
1899
by R. Accademia di scienze, lettere ed arti in Padova
1889
First Published in 2004. This work throws fresh light on the island's past and seeks to provide a concise, up-to-date guide to Sicilian archaeology, covering the period from prehistory to Constantine the Great. It should be of interest to students and lecturers in European archaeology and ancient history.
by Portici (Italy). R. Istituto Superiore Agrario, Università di Napoli. Facoltà di Scienze Agrarie, Portici
1880
Mechanics has long been recognized as the pivotal science in the decline of Aristotelian natural philosophy and the rise of the new, mathematical physics of the Scientific Revolution. Less well known, however, is the earlier transformation of mechanics from a practical art into a theoretical and mathematical science. This transformation was occasioned by the recovery of the pseudo-Aristotelian Mechanical Problems and its assimilation in the course of the sixteenth century to the Aristotelian model of the subalternate or middle sciences, which deal with natural subject matter but draw their principles from geometry or arithmetic. In his Dialogue on Mechanics, Giuseppe Moletti made the most explicit and thoroughgoing attempt to determine the geometrical principles of Aristotelian mechanics, to establish its Euclidean foundations, and so to realize in fact the subalternation of mechanics to geometry. Having done this in the First Day, he then set out in the Second to extend mechanics generally to explain all motions through the analysis of their forces and resistances. In the process he anticipated Galileo in asserting that all heavy bodies, whatever their weights, fall with equal speeds, and he realized that the same resistance that makes a body hard to move also makes it hard to stop – which is almost the law of inertia. Written in dialogue form in Italian (rather than in Latin) for a courtly and practical audience, the Dialogue was left unfinished when Moletti quit the Gonzaga court at Mantua to take up the mathematics chair at the University of Padua. Never before published except for brief extracts, the full Italian text is edited from the manuscripts and printed here for the first time, together with a facing-page English translation. The extensive notes that accompany the text cite and quote from a number of Moletti's other, mostly unpublished, works and his numerous sources. In his introduction, W.R. Laird sets the Dialogue within the historical background of medieval and Renaissance mechanics, sketches the life and works of Moletti, and analyses the arguments and the geometrical theorems of the Dialogue. The Unfinished Mechanics of Giuseppe Moletti offers an unprecedented look at the transformation of Aristotelian mechanics into a mathematical science in the generation before Galileo.
"Ruolo degli accademici dalla ricostituzione dell'accademia" in anno 1907/08-
by R. Deputazione sovra gli studi di storia patria per le antiche provincie e la Lombardia
1892
Art and the Religious Image in El Greco’s Italy is the first book-length examination of the early career of one of the early modern period’s most notoriously misunderstood figures. Born around 1541, Domenikos Theotokopoulos began his career as an icon painter on the island of Crete. He is best known, under the name “El Greco,” for the works he created while in Spain, paintings that have provoked both rapt admiration and scornful disapproval since his death in 1614. But the nearly ten years he spent in Venice and Rome, from 1567 to 1576, have remained underexplored until now. Andrew Casper’s examination of this period allows us to gain a proper understanding of El Greco’s entire career and reveals much about the tumultuous environment for religious painting after the Council of Trent. Art and the Religious Image in El Greco’s Italy is a new book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book will be available in popular e-book formats.