American Ethnographic Film and Personal Documentary

by Scott MacDonald

2013 · Univ of California Press

American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.

The One-Day Marketing Plan

by Roman G. Hiebing, Scott W. Cooper

2004 · McGraw Hill Professional

The One-Day Marketing Plan shows entrepreneurs and business owners how to quickly design a marketing plan for any business. Hiebing and Cooper's streamlined, 10-step process guides readers through the development and execution of effective marketing plans, and provides the tools to accurately evaluate bottom-line results. Packed with helpful checklists and templates, this practical, comprehensive third edition includes up-to-the-minute information on brand positioning and Internet marketing tactics.

On the Origin of Consciousness

by Scott D. G. Ventureyra

2018 · Wipf and Stock Publishers

Have you ever thought about how self-consciousness (self-awareness) originated in the universe? Understanding consciousness is one of the toughest “nuts to crack.” In recent years, scientists and philosophers have attempted to provide an answer to this mystery. The reason for this is simply because it cannot be confined to solely a materialistic interpretation of the world. Some scientific materialists have suggested that consciousness is merely an illusion in order to insulate their worldviews. Yet, consciousness is the most fundamental thing we know, even more so than the external world since we require it to perceive or think about anything. Without it, reasoning would be impossible. Dr. Scott Ventureyra, in this ground-breaking book, explores the idea of the Christian God and Creation in order to tackle this most difficult question. He demonstrates that theology has something significant to offer in reflection of how consciousness originated in the universe. He also makes a modest claim that the Christian conception of God and Creation provide a plausible account for the origin of self-consciousness. He integrates philosophy, theology, and science in an innovative way to embark on this exploration.

Watch Your Step

by Betty Thomas Richardson, Clarice Louisba Scott, Jesse Lee Webb, Pinckney Alston Waring, Reginald George Hainsworth, Robert William Cowlin, Victor Rickman Boswell, Wellington Brink, Anne Flippo Hagood, Oliver Edwin Baker, Albert Perry Brodell

1942

This publication gives general information for the inexperienced gardener on what to grow, how to prepare and fertilize the soil, how and when to plant, how to care for the plants, and how to utilize the crop.

The Singing Bourgeois

by Derek B. Scott

2017 · Routledge

First published in 1989, The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home. The popularity of these domestic songs opened up opportunities to women composers, and a chapter of the book is dedicated to the discussion of women songwriters and their work. The commercial success of bourgeois song through the sale of sheet music demonstrated how music might be incorporated into a system of capitalist enterprise. Scott examines the early amateur music market and its evolution into an increasingly professionalized activity towards the end of the century. This new updated edition features an additional chapter which provides a broad survey of music and class in London, drawing on sources that have appeared since the book's first publication. An overview of recent research is also given in a section of additional notes. The new bibliography of nineteenth-century British and American popular song is the most comprehensive of its kind and includes information on twentieth-century collections of songs, relevant periodicals, catalogues, dictionaries and indexes, as well as useful databases and internet sites. The book also features accompanying downloadable resources of songs from the period.