Books by "Simon R. Frost"
5 books found
The first book-length study focusing on Robert Lowell's career-long preoccupation with the liberal mode of translational adaptation known as imitation. Robert Lowell's Imitations and the Cold War argues that Lowell's imitations are simultaneously symptomatic of and critically responsive to familiar nodes of Cold War ideology such as containment and contamination, secrecy and security, post-imperial U.S. expansion and Empire. It departs from studies focused solely on Imitations (1961), Lowell's book-length collection of translational adaptations, by demonstrating how imitation shadows Lowell's work from his earliest collections, Land of Unlikeness (1944) and Lord Weary's Castle (1946), through his celebrated mid-career collections, Life Studies (1959) and For the Union Dead (1964), and to later works such as Near the Ocean (1969) and his contributions of adaptations from the Russian of Anna Akhmatova and Osip Mandelstam collected in Olga Carlisle's anthology, Poets on Street Corners (1967). Simon van Schalkwyk excavates the imitational substrate undergirding and informing Lowell's compositional method and poetic imagination throughout the course of his career. In so doing, he shows how imitation enacts, at the level of form, Lowell's restless investment in Cold War geopolitics and literary networks in ways that inform, develop, and complicate his more conventional canonization as an unquestionably 'American' poet preoccupied solely and simplistically with personal or autobiographical modes of poetic 'confession'. As literary sites at which containment's dualities, porosities, leakages, and contaminants are most clearly displayed, Lowell's imitations simultaneously challenge and develop our understanding of confession's presumably strict preoccupation with the personal, regional and national frameworks through which Lowell has commonly been understood.
Often what passes for love is a product of self-deception and wishful thinking. Genuine love, according to philosopher Caroline J. Simon, must be based on knowledge of reality, and Christianity affirms that reality includes not just who people are but the unfolding story of who God intends them to be. Taking the use of narrative seriously, The Disciplined Heart draws on works of literature to display a Christian understanding of love in its various forms: love of self, love of neighbor, friendship, romantic love, and marital love. Using instances of love and its counterfeits in novels and short stories by such authors as Flannery O'Connor, Leo Tolstoy, George Eliot, and F. Scott Fitzgerald, Simon constructs an account of love's joys and obligations that both charms and instructs. Learned, astute, and elegantly written, The Disciplined Heart is a groundbreaking work at the intersection of theology, philosophy, and literary analysis.
Envisioning today’s readers as poised between an impossible attempt to read texts as their original readers experienced them and an awareness of our own temporal moment, Simon Dentith complicates traditional prejudices against hindsight to approach issues of interpretation and historicity in nineteenth-century literature. Suggesting that the characteristic aesthetic attitude encouraged by the backward look is one of irony rather than remorse or regret, he examines works by Charles Dickens, George Eliot, Anthony Trollope, William Morris and John Ruskin in terms of their participation in significant histories that extend to this day. Liberalism, class, gender, political representation and notions of progress, utopianism and ecological concern as currently understood can be traced back to the nineteenth century. Just as today’s critics strive to respect the authenticity of nineteenth-century writers and readers who responded to these ideas within their historical world, so, too, do those nineteenth-century imaginings persist to challenge the assumptions of the present. It is therefore possible, Dentith argues, to conceive of the act of reading historical literature with an awareness of the historical context and of the difference between the past and the present while allowing that friction or difference to be part of how we think about a text and how it communicates. His book summons us to consider how words travel to the reality of the reader’s own time and how engagement with nineteenth-century writers’ anticipation of the judgements of future generations reveal hindsight’s capacity to transform our understanding of the past in the light of subsequent knowledge.
This title in the acclaimed Blue Books of Neurology series highlights advances in epileptology and new ways of managing seizure disorders. Contributors from around the world—most new to this volume—lend a global perspective and provide the latest thinking on the new and controversial issues surrounding epilepsy. You’ll find detailed discussions of difficulties in diagnosing and treating epilepsy, including the latest pharmacologic management strategies. This book covers the entire range of issues in epilepsy from basic science research to current clinical issues to medical and surgical therapeutics. Find all you need on critical issues in treating epilepsy and seizure disorders. Provides the expertise of new contributors and volume editors who are world-class authorities in the field for authoritative guidance. Features thoroughly updated content including new chapters—Seizure Prediction; Drug Resistance Genes; Cortical Myoclonus and Epilepsy; Sudden Unexplained Death in Epilepsy; Seizures in the Elderly; Rasmussen’s Encephalitis; Epilepsies Due to Monogenic Disorders of Metabolism; Epilepsy and Sleep; Long-term Effects of Seizures on Brain Structure and Function; Brain Stimulation in Epilepsy—for the most current information for use in the decision-making process. Includes coverage of the surgical management of epilepsy to help you determine when it’s best to recommend surgery and for which patients. Emphasizes pharmacologic management of seizure patients that reflects advances in biotechnology and imaging.