Books by "William Ellery Leonard"
12 books found
University of Wisconsin Studies in Language and Literature
by University of Wisconsin, William Shakespeare
1920
Thomas Carlyle as a Critic of Literature
by Frederick William Roe
1910 · New York : Columbia University Press
The book aims to present the wisdom of sages, great thinkers, renowned writers, and philosophers, of many countries and time periods, in their own words, regarding life. The book also aims to place the numerous quotations from these sources in a structured organization, with introductory and explanatory comments and comparisons. Main Topics or Fields - See Organization or Principal Parts.
Defending Materialism
by Katerina Kolozova, William Paul Cockshott, Greg Michaelson
2024 · Bloomsbury Publishing
Nobody doubted that atoms were real once atomic energy was developed, but in the early 20th-century and before their existence was widely doubted. Defending Materialism follows the political and theoretical background of this intense philosophical controversy, defending atomistic and mechanical materialism against idealist paradigms. These accounts range from the explicit idealism criticised by Lenin and Einstein to the implicit Hegelian idealism that influenced Soviet dialectical materialism. Following several key threads, the authors trace how the idea of atoms has changed over the centuries, how ideology has influenced both sides of the idealism/materialism divide, and how the nature of time in physics, biology and human society can give a fresh view of historical materialism. Starting from the origins of materialism in ancient Greek thought and moving through its revival in Isaac Newton and Charles Darwin gives a full picture of the links between the Marxist tradition and the 'coarse materiality' to which the worlds of science and philosophy have found themselves both subscribed and averse.
In Dickinson’s Nerves, Frost’s Woods, William Logan, the noted and often controversial critic of contemporary poetry, returns to some of the greatest poems in English literature. He reveals what we may not have seen before and what his critical eye can do with what he loves. In essays that pair different poems—“Ozymandias,” “On First Looking Into Chapman’s Homer,” “In a Station of the Metro,” “The Red Wheelbarrow,” “After great pain, a formal feeling comes,” and “Stopping by Woods on a Snowy Evening,” among others—Logan reconciles history and poetry to provide new ways of reading poets ranging from Shakespeare and Shelley to Lowell and Heaney. In these striking essays, Logan presents the poetry of the past through the lens of the past, attempting to bring poems back to the world in which they were made. Logan’s criticism is informed by the material culture of that world, whether postal deliveries in Regency London, the Métro lighting in 1911 Paris, or the wheelbarrows used in 1923. Deeper knowledge of the poet’s daily existence lets us read old poems afresh, providing a new way of understanding poems now encrusted with commentary. Logan shows that criticism cannot just root blindly among the words of the poem but must live partly in a lost world, in the shadow of the poet’s life and the shadow of the age.
This collection of essays historicizes the divorce of the 'natural' from the human, and shows that 'nature' is a human construction, arguing that what we have constructed we can reconstruct.