Books by "William Reed Arthur"
6 books found
History of the Handel and Haydn Society, of Boston, Massachusetts. From the Foundation of the Society. 1815 to May 25, 1903
by William Frothingham Bradbury, Charles Callahan Perkins, John Sullivan Dwight
2025 · BoD – Books on Demand
Reprint of the original, first published in 1883. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.
From late 1862 to the spring of 1865, the federal government accepted more than 180,000 black men as soldiers, something it had never done before on such a scale. Known collectively as the United States Colored Troops and organized in segregated regiments led by white officers, some of these soldiers guarded army posts along major rivers; others fought Confederate raiders to protect Union supply trains; and still others took part in major operations like the siege of Petersburg and the battle of Nashville. After the war, many of the black regiments garrisoned the former Confederacy to enforce federal Reconstruction policy. This book tells the story of these soldiers' recruitment, organization, and service.
The Bibliographer's Manual of Gloucestershire Literature: Parishes and towns: Abenhall
by Francis Adams Hyett, William Bazeley
1916
Presents a case study of the murder of police officer James Sackett in 1970, during racially tense times in Saint Paul, Minnesota.
Everyone seems to know what film noir is, but scholars and critics cannot agree on any definition. Some go so far as to insist that there is no such thing. What is Film Noir? claims that this confusion arises from the fact that film noir is both a genre and a period style, and as such is unique in the history of Hollywood. The genre, now known as “neo-noir,” continues into the present, while the period, which began in the early 1940s, had expired by 1960. William Park surveys the various theories of film noir, defines the genre, and explains how film noir relates to the style and the period in which it was created. The book corrects several common misconceptions: that film noir was an afterthought, that Hollywood was not conscious of what it was creating, and that film noir is too amorphous to be a genre. Park also provides a very useful theory of genre and how it relates to film study.