Books by "William Wright Baldwin"
7 books found
African American Writers & Classical Tradition
by William W. Cook, James Tatum
2024 · University of Chicago Press
Constraints on freedom, education, and individual dignity have always been fundamental in determining who is able to write, when, and where. Considering the singular experience of the African American writer, William W. Cook and James Tatum here argue that African American literature did not develop apart from canonical Western literary traditions but instead grew out of those literatures, even as it adapted and transformed the cultural traditions and religions of Africa and the African diaspora along the way. Tracing the interaction between African American writers and the literatures of ancient Greece and Rome, from the time of slavery and its aftermath to the civil rights era and on into the present, the authors offer a sustained and lively discussion of the life and work of Phillis Wheatley, Frederick Douglass, Ralph Ellison, and Rita Dove, among other highly acclaimed poets, novelists, and scholars. Assembling this brilliant and diverse group of African American writers at a moment when our understanding of classical literature is ripe for change, the authors paint an unforgettable portrait of our own reception of "classic" writing, especially as it was inflected by American racial politics.
In this engaging study, H. William Rice illuminates the mystery that is Ralph Ellison: the author of one complex, important novel who failed to complete his second; a black intellectual who remained notably reticent on political issues during the desegregation of his native South. Rice reads both Invisible Man and the posthumously published Juneteenth as novels that focus on the political uses of language. He explores Ellison's concept of the novel, promulgated in that author's two collections of essays, as an inherently political form of art. And he carefully considers the political context that undoubtedly impacted Ellison's work and thought: a world and a time rocked to its foundation by such revolutionary actors as Martin Luther King, Jr., and Malcolm X. Rice guides his reader to a greater understanding of Ralph Ellison, his oeuvre, and the American novel.
Playing in the Shadows considers the literature engendered by postwar Japanese authors’ robust cultural exchanges with African Americans and African American literature. The Allied Occupation brought an influx of African American soldiers and culture to Japan, which catalyzed the writing of black characters into postwar Japanese literature. This same influx fostered the creation of organizations such as the Kokujin kenkyū no kai (The Japanese Association for Negro Studies) and literary endeavors such as the Kokujin bungaku zenshū (The Complete Anthology of Black Literature). This rich milieu sparked Japanese authors’—Nakagami Kenji and Ōe Kenzaburō are two notable examples—interest in reading, interpreting, critiquing, and, ultimately, incorporating the tropes and techniques of African American literature and jazz performance into their own literary works. Such incorporation leads to literary works that are “black” not by virtue of their representations of black characters, but due to their investment in the possibility of technically and intertextually black Japanese literature. Will Bridges argues that these “fictions of race” provide visions of the way that postwar Japanese authors reimagine the ascription of race to bodies—be they bodies of literature, the body politic, or the human body itself.